"Fauré: Requiem, Op. 48: VII. In Paradisum" by Gabriel Fauré, Daniel Barenboim, Edinburgh Festival Chorus, Orchestre de Paris was released on 1987. The duration of Fauré: Requiem, Op. 48: VII. In Paradisum is about 3 minutes long, at 3:25. Based on our data, "Fauré: Requiem, Op. 48: VII. In Paradisum" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 8 in Fauré: Requiem by Gabriel Fauré, Daniel Barenboim. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Fauré: Requiem, Op. 48: VII. In Paradisum is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fauré: Requiem, Op. 48: VII. In Paradisum by Gabriel Fauré, Daniel Barenboim, Edinburgh Festival Chorus, Orchestre de Paris is Lento (slowly), since this song has a tempo of 60 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lakmé / Act 2: "Où va la jeune Indoue" (Bell song) | Léo Delibes, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D Minor | 1 | 7A | 168 BPM | ||
Nocturne No.12 In G, Op.37 No.2 | Frédéric Chopin, Daniel Barenboim | G Major | 0 | 9B | 67 BPM | ||
Fauré: Cantique de Jean Racine, Op. 11 (Orchestral Version) | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | D♭ Major | 1 | 3B | 79 BPM | ||
L'italiana in Algeri / Act 1: "Cruda sorte! Amor tiranno!" | Gioachino Rossini, Cecilia Bartoli, Arnold Schoenberg Chor, Vienna Volksoper Orchestra, Giuseppe Patanè | A Major | 1 | 11B | 109 BPM | ||
Sept mélodies, Op. 2: VI. Hébé | Ernest Chausson, Véronique Gens, Susan Manoff | A Minor | 0 | 8A | 80 BPM | ||
Fauré: Super flumina Babylonis | Gabriel Fauré, Paavo Järvi, Choeur de l'Orchestre de Paris, Laetitia Singleton, Maria Virginia Savastano, Mathias Vidal, Ugo Rabec, Orchestre de Paris | A Minor | 1 | 8A | 115 BPM | ||
Verdi: Messa da Requiem: XIX. Libera me | Giuseppe Verdi, Carlo Maria Giulini, Elisabeth Schwarzkopf, The Philharmonia Chorus, Philharmonia Orchestra | B Minor | 1 | 10A | 137 BPM | ||
Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM | ||
Gloria, FP 144: 3. Domine Deus | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | G Major | 1 | 9B | 130 BPM | ||
Otello / Act 4: "Ave Maria, piena di grazia" | Giuseppe Verdi, Kiri Te Kanawa, Chicago Symphony Orchestra, Sir Georg Solti | B♭ Minor | 0 | 3A | 71 BPM |