"Everyone Sang: No. 2, Entrance" by David Conte, Matt Boehler, Kevin Korth was released on August 17, 2018. The duration of Everyone Sang: No. 2, Entrance is about 3 minutes long, at 3:16. Based on our data, "Everyone Sang: No. 2, Entrance" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 12 out of 23 in Everyone Sang: Vocal Music of David Conte by David Conte, Various Artists, Marika Kuzma, Nicole Paiement, Eric Dudley. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Everyone Sang: No. 2, Entrance is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Everyone Sang: No. 2, Entrance by David Conte, Matt Boehler, Kevin Korth is Vivace (lively and fast), since this song has a tempo of 170 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Deus nobiscum (Version for Soprano, Choir & Orchestra): VIII. Agnus Dei | Philip Stopford, Choir of St Luke's, Chelsea, Chelsea Camerata, Jeremy Summerly | B♭ Major | 2 | 6B | 70 BPM | ||
The Armed Man (Ensemble Version): VI. Hymn Before Action | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera | G Major | 2 | 9B | 127 BPM | ||
Four Songs of Love: I. Let Him Kiss Me | Sven-David Sandström, Gustaf Sjökvists Kammarkör, Gustaf Sjokvist | E♭ Major | 0 | 5B | 113 BPM | ||
Requiem, Op. 9: VIII. Libera me | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Chœur de filles Cæcilia, Yves Castagnet, Christophe Gautier, Henri Chalet, Alice Korovitch | B♭ Major | 0 | 6B | 131 BPM | ||
Beginning of Easter Liturgy: Amen, Christ Is Risen | Axios Men's Ensemble, Michael Zaugg, Pro Coro Canada, Boyan Ensemble of Kyiv | E♭ Minor | 1 | 2A | 161 BPM | ||
Holy Spirit Mass: The Spirit's Work: Come | Kim André Arnesen, Mona Spigseth, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | F Minor | 1 | 4A | 127 BPM | ||
Schlichte Weisen, Op. 76: No. 52, Mariä Wiegenlied | Jane Edwards, Marshall McGuire | F Major | 1 | 7B | 76 BPM | ||
Mass In Blue, Op. 28: IV. Sanctus | Will Todd, Bethany Halliday, Jim Fleeman, Gareth Huw, Jeremy Backhouse | B♭ Major | 2 | 6B | 130 BPM | ||
MASS: No. 7, Prayer for the Congregation "Almighty Father" | Leonard Bernstein, Wiener Singakademie, Unknown Artist, Dennis Russell Davies | C Major | 0 | 8B | 131 BPM | ||
Missa Pontificalis: Benedictus | Lorenzo Perosi, Coro dell'Accademia Stefano Tempia, Michele Frezza, Massimo Nosetti | F Major | 0 | 7B | 144 BPM |