"Elgar / Orch. Ducros: Variations on an Original Theme, Op. 36 "Enigma": IX. Nimrod" by Edward Elgar, Gautier Capuçon, Adrien Perruchon, Orchestre de chambre de Paris was released on November 6, 2020. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 14 out of 18 in Emotions by Gautier Capuçon. In terms of popularity, Elgar / Orch. Ducros: Variations on an Original Theme, Op. 36 "Enigma": IX. Nimrod is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Elgar / Orch. Ducros: Variations on an Original Theme, Op. 36 "Enigma": IX. Nimrod by Edward Elgar, Gautier Capuçon, Adrien Perruchon, Orchestre de chambre de Paris is Andante (at a walking pace), since this song has a tempo of 90 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elgar: The Music Makers (Ode by Arthur O'Shaughnessy), Op. 69: I. Moderato e nobilmente espressivo (Orchestral Introduction) | Edward Elgar, Dame Janet Baker, Frederic Jackson, Sir Adrian Boult, London Philharmonic Orchestra | C Minor | 1 | 5A | 88 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Sonate pour hautbois et piano: Déploration | Francis Poulenc, Jean-Louis Capezzali, Jean-Pierre Armengaud | B♭ Minor | 0 | 3A | 108 BPM | ||
O ma belle rebelle | Charles Gounod, Christian-Pierre La Marca | E Minor | 0 | 9A | 80 BPM | ||
Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | ||
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | ||
Ravel: Piano Trio in A Minor, M. 67: III. Passacaille. Très large | Maurice Ravel, Renaud Capuçon, Gautier Capuçon, Franck Braley | F♯ Minor | 0 | 11A | 170 BPM | ||
7 Canciones populares Españolas: No. 3, Asturiana | Manuel de Falla, Pablo Ferrandez, Denis Kozhukhin | F Minor | 0 | 4A | 71 BPM | ||
Cello Sonata, FP 143: Cavatine: Tres calme | Francis Poulenc, Françoise Groben, Alexandre Tharaud | B♭ Minor | 0 | 3A | 122 BPM | ||
There's Nae Lark (Arr. Parkin for Cello and Piano) | Samuel Barber, Sheku Kanneh-Mason, Isata Kanneh-Mason | E♭ Major | 0 | 5B | 98 BPM |