Robert Schumann, Arthur Rubinstein made "Carnaval, Op. 9: 4. Valse noble" available on 1963. With Carnaval, Op. 9: 4. Valse noble being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 29 in the song's album "Schumann: Carnaval, Op. 9 & Fantasiestücke, Op. 12". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. In terms of popularity, Carnaval, Op. 9: 4. Valse noble is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Carnaval, Op. 9: 4. Valse noble by Robert Schumann, Arthur Rubinstein having a テンポ of 118 with a half-time of 59 テンポ and a double-time of 236 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Quintet in A Major, Op. 81, B. 155: II. Dumka (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | B Minor | 0 | 10A | 71 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Saint-Saëns: Cello Concerto No. 1 in A Minor, Op. 33: III. Molto allegro | Camille Saint-Saëns, Jacqueline du Pré, Daniel Barenboim, New Philharmonia Orchestra | A Minor | 1 | 8A | 73 BPM | ||
Études-tableaux, Op. 39: No. 2, Lento assai | Sergei Rachmaninoff, Boris Giltburg | A Minor | 0 | 8A | 65 BPM | ||
Prélude, Choral et Fugue, FWV 21: Prélude. Moderato | César Franck, Nikolai Lugansky | G Major | 0 | 9B | 68 BPM | ||
Aus aller Herren Landern (From Foreign Lands), Op. 23: I. Russian: Allegretto | Moritz Moszkowski, Markus Pawlik, Polish National Radio Symphony Orchestra, Antoni Wit | A Minor | 0 | 8A | 87 BPM | ||
Brahms: 6 Klavierstücke, Op. 118: No. 1, Intermezzo in A Minor | Johannes Brahms, Nicholas Angelich | A Minor | 2 | 8A | 104 BPM | ||
Suite No. 2 in C Major, Op. 17: II. Valse: Presto | Sergei Rachmaninoff, Peter Donohoe, Martin Roscoe | G Major | 0 | 9B | 130 BPM | ||
7 Fantasies, Op. 116: No. 1, Capriccio in D Minor | Johannes Brahms, Emanuel Ax | F Major | 3 | 7B | 156 BPM |