"Death Valley Suite: '49er Emigrant Train" by Ferde Grofé, Bournemouth Symphony Orchestra, William Stromberg was released on September 6, 2002. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Ferde Grofé's "Grofe: Death Valley Suite / Hudson River Suite / Hollywood Suite" album is number 13 out of 15. On top of that, Hong Kong appears to be the country where this track was created. Death Valley Suite: '49er Emigrant Train is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Death Valley Suite: '49er Emigrant Train by Ferde Grofé, Bournemouth Symphony Orchestra, William Stromberg to be Andante (at a walking pace) because the track has a tempo of 89 テンポ, a half-time of 44テンポ, and a double-time of 178 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 78 BPM | ||
Respighi: Pini di Roma: III. I pini del Gianicolo (Lento) | Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra | E Major | 0 | 12B | 88 BPM | ||
The Magic Flute, Overture, K620 | Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 85 BPM | ||
Pines Of Rome, P. 141: The Pines Of The Appian Way | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | B♭ Major | 3 | 6B | 135 BPM | ||
March from The Love for Three Oranges, Op. 33a | Sergei Prokofiev, Michael Tilson Thomas, Los Angeles Philharmonic | A♭ Major | 4 | 4B | 124 BPM | ||
Symphony No. 1 in D Major "Titan": II. Kraftig bewegt, doch nicht zu schnell | Gustav Mahler, Polish National Radio Symphony Orchestra, Michael Halasz | E♭ Minor | 2 | 2A | 113 BPM | ||
Grand Canyon Suite: V. Cloudburst | Ferde Grofé, Eugene Ormandy, Philadelphia Orchestra | E Major | 3 | 12B | 82 BPM | ||
Le Cid: Aragonaise | Jules Massenet, Cincinnati Pops Orchestra, Erich Kunzel | D Major | 0 | 10B | 120 BPM | ||
Ruslan and Lyudmila, Op. 5: Overture | Mikhail Glinka, Taras Shtonda, Ekaterina Morozova, Vadim Lynkovsky, Aleksandra Durseneva, Panfilov, Maria Gavrilova, Valery Gilmanov, Maksim Paster, Irina Dolzhenko, Bolshoi Theatre Orchestra, Alexander Vedernikov | E Minor | 1 | 9A | 154 BPM | ||
Also sprach Zarathustra, Op. 30: I. Einleitung, oder Sonnenaufgang | Richard Strauss, Chicago Symphony Orchestra, Pierre Boulez | B Major | 0 | 1B | 78 BPM |