"Campra: Requiem (Messe des morts): I. Introit "Requiem aeternam" (Chorus, Basse-taille)" by André Campra, Les Arts Florissants, William Christie was released on 2003. Since Campra: Requiem (Messe des morts): I. Introit "Requiem aeternam" (Chorus, Basse-taille) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 27 out of 27 in Campra: Grand Motets by André Campra, William Christie, Les Arts Florissants. Based on our statistics, Campra: Requiem (Messe des morts): I. Introit "Requiem aeternam" (Chorus, Basse-taille)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Campra: Requiem (Messe des morts): I. Introit "Requiem aeternam" (Chorus, Basse-taille) by André Campra, Les Arts Florissants, William Christie is Allegro (fast, quick, and bright), since this song has a tempo of 131 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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XII sonate a tre o quattro strumenti e basso: Sonata X a 3 | Antonio Bertali, Ars Antiqua Austria, Gunar Letzbor | F♯ Major | 2 | 2B | 88 BPM | ||
Le destin du nouveau siècle, Premier récit: Le destin du nouveau siècle, Premier récit: Vains soupirs faux plaisirs (Un du parti de la paix, qui l’abandonne pour se donner à Mars) | André Campra, Patrick Bismuth, La Tempesta, Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 2 | 6B | 102 BPM | ||
Exaudiat te Dominus, LWV 77 No. 15: V. Exaudiet illum de caelo sancto suo | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Le Bourgeois gentilhomme, LWV 43: Canaries | Jean-Baptiste Lully, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | C Minor | 2 | 5A | 84 BPM | ||
Le Carnaval du Parnasse, Prologue Scene 2: Récit. Quoi, toujours du léger ? (Clarice, Florine) | Jean-Joseph Cassanéa De Mondonville, Hasnaa Bennani, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko, Gwendoline Blondeel | F Minor | 4 | 4A | 141 BPM | ||
De Profundis: III. Si iniquitates | André Campra, Rolf Ehlers, ensemble3 vocal et instrumental, Hans Michael Beuerle | E Major | 1 | 12B | 68 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Anime avventurose" - "Torna o bella" (Orfeo, Coro) | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore Choir, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Le carnaval de Venise: Prologue: Second Air | André Campra, Salomé Haller, Marina de Liso, Andrew Foster-Williams, Alain Buet, Mathias Vidal, Sarah Tynan, Blandine Staskiewicz, Luigi De Donato, Le Concert Spirituel, Herve Niquet | G Minor | 2 | 6A | 172 BPM | ||
Ariane et Bacchus, Prologue: Ouverture pour entracte | Marin Marais, Le Concert Spirituel, Les Chantres du Centre de Musique Baroque de Versailles, Herve Niquet | D♭ Minor | 1 | 12A | 87 BPM | ||
Then Svenska Messan, HRV 404: Herre förbarma tig öfver oss | Johan Helmich Roman, Göteborg Baroque, Magnus Kjellson | A Minor | 1 | 8A | 87 BPM |