"Ariane et Bacchus, Prologue: Ouverture pour entracte" by Marin Marais, Le Concert Spirituel, Les Chantres du Centre de Musique Baroque de Versailles, Herve Niquet was released on March 17, 2023. With Ariane et Bacchus, Prologue: Ouverture pour entracte being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Marin Marais, Le Concert Spirituel, Herve Niquet, Les Chantres du Centre de Musique Baroque de Versailles's "Marais: Ariane et Bacchus" album is number 17 out of 104. On top of that, France appears to be the country where this track was created. Ariane et Bacchus, Prologue: Ouverture pour entracte is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ariane et Bacchus, Prologue: Ouverture pour entracte by Marin Marais, Le Concert Spirituel, Les Chantres du Centre de Musique Baroque de Versailles, Herve Niquet to be Andante (at a walking pace) because the track has a tempo of 87 テンポ, a half-time of 44テンポ, and a double-time of 174 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite In G Minor (Suite En Sol Mineur): Fantaisie | Marin Marais | F♯ Minor | 1 | 11A | 165 BPM | ||
Le Carnaval du Parnasse, Prologue Scene 4: Air. Le printemps seul nous procure (Clarice) | Jean-Joseph Cassanéa De Mondonville, Hasnaa Bennani, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | D Major | 7 | 10B | 92 BPM | ||
Ariane et Bacchus, Act III: Prélude et récit. Croirai-je, juste ciel, ce que je viens d'entendre ! | Marin Marais, Judith van Wanroij, Le Concert Spirituel, Les Chantres du Centre de Musique Baroque de Versailles, Herve Niquet | A♭ Major | 1 | 4B | 81 BPM | ||
Médée, H. 491, Act III: Récit et duo. "Vous ignorez ce qui se passe" | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet, Véronique Gens, David Witczak | F Major | 2 | 7B | 108 BPM | ||
Armide, LWV 71, Prologue: Ouverture (I) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | B♭ Major | 2 | 6B | 120 BPM | ||
12 Violin Sonatas, Sonata in E Minor, No. 4: II. Viste | Jean-Féry Rebel, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM | ||
Sonata a 6 in D Minor, G. 23 | David Pohle, Clematis, Brice Sailly, Stéphanie de Failly | D Major | 1 | 10B | 93 BPM | ||
Céphale et Procris, Prologue: Reprise de l'ouverture comme entr'acte | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | F Minor | 1 | 4A | 75 BPM | ||
Concerto grosso in B-Flat Major, 1 No.3: IV. | Pietro Locatelli, Orchestre De Chambre De Toulouse, Gilles Colliard | E Major | 4 | 12B | 146 BPM | ||
Christ lag in Todesbanden: I. Sonata | Johann Kuhnau, Paul Agnew, Les Arts Florissants | E Major | 4 | 12B | 101 BPM |