"6 Variations on "Euryanthe", Op. 63 (After Weber's J. 291): Var. 2" by Friedrich Kuhlau, Lilja Steininger, Erika Le Roux was released on January 21, 2022. With 6 Variations on "Euryanthe", Op. 63 (After Weber's J. 291): Var. 2 being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "Sage und Mythos". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. The popularity of 6 Variations on "Euryanthe", Op. 63 (After Weber's J. 291): Var. 2 is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 6 Variations on "Euryanthe", Op. 63 (After Weber's J. 291): Var. 2 by Friedrich Kuhlau, Lilja Steininger, Erika Le Roux having a テンポ of 166 with a half-time of 83 テンポ and a double-time of 332 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
C大调小奏鸣曲, Op. 55, No. 1 第二乐章 | Friedrich Kuhlau, 钟宇强 | C Major | 1 | 8B | 100 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
12 Études caractéristiques, Op. 2: No. 6 in F-Sharp Major, "Si oiseau j'etais, a toi je volerais!" | Adolf von Henselt, Sergio Gallo | F♯ Major | 1 | 2B | 100 BPM | ||
Wie Melodien zieht es mir | Johannes Brahms, Jungin Huh | D Major | 5 | 10B | 123 BPM | ||
4 Impromptus, Op. 142, D. 935: No. 2 in A-Flat Major: Allegretto | Franz Schubert, Krystian Zimerman | A♭ Major | 0 | 4B | 68 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
Etude Op. 25 no. 9 in G Flat Major | Valentina Lisitsa | F♯ Major | 2 | 2B | 111 BPM | ||
Schluss | Fanny Mendelssohn, Heather Schmidt | C Major | 0 | 8B | 118 BPM | ||
6 Consolations, S. 172: No. 1 In E Major (Andante con moto) | Franz Liszt, Daniel Barenboim | A Major | 0 | 11B | 88 BPM | ||
6 Grandes études de Paganini, S. 141: No. 3 in A-Flat Minor "La campanella" | Franz Liszt, Goran Filipec | A♭ Minor | 2 | 1A | 115 BPM |