"The Peacemakers: XII. The Dove (For Astrid May)" by Karl Jenkins, London Symphony Orchestra, City of Birmingham Symphony Youth Chorus, Simon Halsey, Rundfunkchor Berlin was released on 2011. The duration of The Peacemakers: XII. The Dove (For Astrid May) is about 3 minutes long, at 3:19. Based on our data, "The Peacemakers: XII. The Dove (For Astrid May)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "The Peacemakers". In this album, this song's track order is #12. The Peacemakers: XII. The Dove (For Astrid May) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Peacemakers: XII. The Dove (For Astrid May) by Karl Jenkins, London Symphony Orchestra, City of Birmingham Symphony Youth Chorus, Simon Halsey, Rundfunkchor Berlin having a テンポ of 75 with a half-time of 38 テンポ and a double-time of 150 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vesperae solennes de confessore in C, K.339: 1. Dixit Dominus Domino meo | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, John Constable, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | C Major | 3 | 8B | 137 BPM | ||
Pergolesi: Confitebor: IV. Redemptionem misit | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 2 | 11A | 120 BPM | ||
Requiem: 8. Lux aeterna & Libera me | Andrew Lloyd Webber, Plácido Domingo, Paul Miles-Kingston, Winchester Cathedral Choir, James Lancelot, English Chamber Orchestra, Lorin Maazel, Sarah Brightman | D Minor | 0 | 7A | 93 BPM | ||
Nocturnes: III. Sure On This Shining Night (Morten Lauridsen, piano) | The Singers - Minnesota Choral Artists | D♭ Major | 0 | 3B | 105 BPM | ||
Trois chansons de Charles d'Orléans, L.62: 2. Quant j'ai ouy le tabourin | Claude Debussy, Nicola Jenkin, The Monteverdi Choir, John Eliot Gardiner | F♯ Minor | 0 | 11A | 85 BPM | ||
Largo from Xerxes | George Frideric Handel, Eugene Ormandy, Philadelphia Orchestra | G Major | 1 | 9B | 82 BPM | ||
Materna Requiem: 3. Pie Jesu | Rebecca Dale, Trystan, Kantos Chamber Choir, Dave Hinitt, Royal Liverpool Philharmonic Orchestra, Clark Rundell | G Major | 0 | 9B | 78 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM | ||
Tallis: Lamentations of Jeremiah I - 2. Aleph | The Tallis Scholars, Peter Phillips | F Minor | 0 | 4A | 83 BPM | ||
The Silver Swan | Orlando Gibbons, Apollo5 | C Major | 1 | 8B | 79 BPM |