Alessandro Scarlatti, Sophie Landy, Raphael Pichon, Carl Ghazarossian, Ensemble Baroque de Nice, Gilbert Bezzina's 'La Giuditta: Part I: Recitative: Duce, Bettulia e serva del tuo valor (Giuditta)' came out on January 1, 2009. With La Giuditta: Part I: Recitative: Duce, Bettulia e serva del tuo valor (Giuditta) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 45 in the song's album "Scarlatti, A.: Giuditta (La) [Opera]". In this album, this song's track order is #16. La Giuditta: Part I: Recitative: Duce, Bettulia e serva del tuo valor (Giuditta) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With La Giuditta: Part I: Recitative: Duce, Bettulia e serva del tuo valor (Giuditta) by Alessandro Scarlatti, Sophie Landy, Raphael Pichon, Carl Ghazarossian, Ensemble Baroque de Nice, Gilbert Bezzina having a テンポ of 48 with a half-time of 24 テンポ and a double-time of 96 テンポ, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater in G Minor: VII. Sancta Mater | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | B Minor | 0 | 10A | 57 BPM | ||
from 7 Arie con Tromba Sola: 4. Rompe Sprezza - Voice | Alessandro Scarlatti, Wynton Marsalis, Kathleen Battle, John Nelson | D Major | 1 | 10B | 85 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Che fiero momento" (Euridice) | Christoph Willibald Gluck, Stefan Plewniak, Elsa Dreisig, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): IV. Vivace | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | C Major | 6 | 8B | 170 BPM | ||
Buxtehude: Membra Jesu nostri, BuxWV 75: III. Ad manus. "Quid sunt plagae istae" | Dietrich Buxtehude, Ton Koopman, Barbara Schlick, Monika Frimmer, Michael Chance, Christoph Prégardien, Peter Kooij, Knabenchor Hannover, Amsterdam Baroque Orchestra | D Major | 1 | 10B | 130 BPM | ||
Spanish Folies in D Minor | Francois Loeb, Alessandro Scarlatti | D Minor | 1 | 7A | 108 BPM | ||
Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM | ||
Sonata in A Major, Kk. 268 | Domenico Scarlatti, Alessandro Scarlatti, Sergio Ciomei | F♯ Major | 3 | 2B | 87 BPM | ||
Nisi Dominus, HWV 238: V. Beatus vir | George Frideric Handel, Hugo Hymas, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM | ||
Violin Sonata in B-Flat Major, Op. 5 No. 2 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): I. Grave | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Major | 2 | 3B | 67 BPM |