Arcangelo Corelli, Teodoro Baù, Andrea Buccarella made "Violin Sonata in B-Flat Major, Op. 5 No. 2 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): I. Grave" available on August 19, 2022. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 25 in Corelli: Sonatas for Viola da Gamba & Continuo by Arcangelo Corelli, Teodoro Baù, Andrea Buccarella. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. Violin Sonata in B-Flat Major, Op. 5 No. 2 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): I. Grave is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Violin Sonata in B-Flat Major, Op. 5 No. 2 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): I. Grave by Arcangelo Corelli, Teodoro Baù, Andrea Buccarella is Adagio (slowly with great expression), since this song has a tempo of 67 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerti a più istrumenti in F Major, Op. 6 No. 6, III. Allegro ma non troppo | Evaristo Felice Dall'Abaco, Il Tempio Armonico, Davide Monti, Orchestra Barocca di Verona, Alberto Rasi | E Major | 1 | 12B | 104 BPM | ||
La divisione del Mondo: Aria "Lumi potete piangere" | Giovanni Legrenzi, Théotime Langlois de Swarte, Le Consort | A Major | 2 | 11B | 118 BPM | ||
Ballo del Granduca | Anonymous, Luigi Accardo | A Minor | 2 | 8A | 129 BPM | ||
Quatrième suite in A Minor: No. 7, Muzette II | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 1 | 4B | 130 BPM | ||
Brandenburg Concerto No. 5 in D Major, BWV 1050: II. Affettuoso | Johann Sebastian Bach, Frank Theuns, Sophie Gent, Bertrand Cuiller | B♭ Minor | 1 | 3A | 74 BPM | ||
Hamburg Symphony No. 3 in C Major, Wq. 182: III. Allegretto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Concerto grosso in D, Op.6, No.1 - Rev. Vittorio Negri (1923- ): 5. Allegro | Arcangelo Corelli, Felix Ayo, Arnaldo Apostoli, Enzo Altobelli, Maria Teresa Garatti, Guy Bovet, I Musici | D Major | 3 | 10B | 76 BPM | ||
Sonate en Do Majeur, Op. 4 No. 1: I. Preludio largo | Arcangelo Corelli, Le Consort, Justin Taylor | B♭ Minor | 2 | 3A | 133 BPM | ||
Viola da Gamba Suite in D Major: VI. Adagio | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 98 BPM | ||
Concert Royal No. 1 in G (Version for 2 Harpsichords): II. Allemande. Légèrement | François Couperin, Pierre Gallon, Matthieu Boutineau | E♭ Major | 4 | 5B | 125 BPM |