Thibaut de Champagne, Nigel Rogers, Early Music Consort Of London, David Munrow made "Au tens plain de felonnie" available on October 2, 1971. The duration of Au tens plain de felonnie is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Au tens plain de felonnie's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Early Music Consort Of London, David Munrow's "Music of the Crusades" album is number 19 out of 19. Based on our statistics, Au tens plain de felonnie's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Au tens plain de felonnie by Thibaut de Champagne, Nigel Rogers, Early Music Consort Of London, David Munrow to be Allegro (fast, quick, and bright) because the track has a tempo of 127 テンポ, a half-time of 64テンポ, and a double-time of 254 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tastar da Corde | Eduardo Paniagua | G Minor | 1 | 6A | 137 BPM | ||
Cancionero musical de palacio: No. 277, Ojos, mis ojos | Anonymous, Música Temprana, Adrian Rodriguez van der Spoel | C Major | 0 | 8B | 75 BPM | ||
Ay Que Vivo en Tierra Extraña | The Royal Wind Music, Capella Sancta María, Alfred Fernández | B♭ Minor | 0 | 3A | 135 BPM | ||
Brando dicho el Melo | Andrea Falconieri, La Ritirata, Josetxu Obregon | C Major | 6 | 8B | 70 BPM | ||
Emerging from Autumn | Elben Schutte, Daniel Caleb Matthee | G Major | 1 | 9B | 84 BPM | ||
Passamezzo Antiguo. Recercada 1ª | Diego Ortiz, La Reverencia | C Major | 1 | 8B | 107 BPM | ||
Trattado de glosas: Recercadas primera y quarta sobre tenores: I. | Diego Ortiz, Les Basses Réunies, Bruno Cocset | B Major | 1 | 1B | 97 BPM | ||
Ahi! Amours | Conon de Béthune, Nigel Rogers, Early Music Consort Of London, David Munrow | E Minor | 1 | 9A | 81 BPM | ||
Saltarello e piva: Saltarello e Piva | Ambrogio Danza, Constantinople, Kiya Tabassian | F Minor | 1 | 4A | 74 BPM | ||
Ich frów mích gen des abentz kunft: I. Ich frów mích gen des abentz kunft | Hugo von Montfort, Eberhard Kummer | D Minor | 0 | 7A | 96 BPM |