"In a Nutshell Suite: No. 4, Gumsucker's March (4 Hands Piano) - Duo-Art 6059" by Percy Grainger, Lotta Hough, Peter Phillips was released on March 24, 2024. The duration of In a Nutshell Suite: No. 4, Gumsucker's March (4 Hands Piano) - Duo-Art 6059 is about 3 minutes long, at 3:14. Based on our data, "In a Nutshell Suite: No. 4, Gumsucker's March (4 Hands Piano) - Duo-Art 6059" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 30 in Butterflies. Chopin, Liszt & Contemporaries. Piano Essentials from the Golden Age by Peter Phillips, Franz Liszt, Robert Schumann, Felix Mendelssohn. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In a Nutshell Suite: No. 4, Gumsucker's March (4 Hands Piano) - Duo-Art 6059 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of In a Nutshell Suite: No. 4, Gumsucker's March (4 Hands Piano) - Duo-Art 6059 by Percy Grainger, Lotta Hough, Peter Phillips is Adagio (slowly with great expression), since this song has a tempo of 69 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
Sorochintsi Fair, Act I: Gopak (Hopak) | Modest Mussorgsky, Slovak Philharmonic, Kenneth Jean | G Major | 2 | 9B | 127 BPM | ||
First Suite for Military Band, Op. 28 No. 1: II. Intermezzo | Gustav Holst, Timothy Reynish, Royal Northern College Of Music Wind Orchestra | C Minor | 1 | 5A | 145 BPM | ||
Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
Jazz Suite No. 1: II. Polka | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | C Major | 2 | 8B | 134 BPM | ||
Simple Symphony, Op. 4: I. Boisterous Bourrée | Benjamin Britten, English Chamber Orchestra | A Minor | 2 | 8A | 106 BPM | ||
Wine-Dark Sea (Symphony for Band): I. Hubris | John Mackey, The University of Texas Wind Ensemble, Jerry Junkin | B♭ Minor | 1 | 3A | 81 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: IV. Marsch | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | B♭ Major | 3 | 6B | 89 BPM | ||
Enigma Variations: Variation XIV. E.D.U - Allegro | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | G Major | 2 | 9B | 88 BPM |