Maurice Duruflé, Collegium Vocale Seoul's 'Requiem, Op. 9: Communion (Lux aeterna)' had a release date set for February 7, 2020. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Maurice Duruflé, Collegium Vocale Seoul's "Maurice Duruflé Requiem" album is number 5 out of 7. On top of that, South Korea appears to be the country where this track was created. The popularity of Requiem, Op. 9: Communion (Lux aeterna) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem, Op. 9: Communion (Lux aeterna) by Maurice Duruflé, Collegium Vocale Seoul to be Vivace (lively and fast) because the track has a tempo of 169 テンポ, a half-time of 84テンポ, and a double-time of 338 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oculi omnium | Charles Wood, Choir of Gonville & Caius College, Cambridge, Geoffrey Webber | E Major | 1 | 12B | 76 BPM | ||
Ubi caritas | Ola Gjeilo, Phoenix Chorale, Charles Bruffy | F♯ Minor | 0 | 11A | 78 BPM | ||
Missa prolationum, Kyrie: Kyrie eleison I | Johannes Ockeghem, The Hilliard Ensemble, Paul Hillier | E♭ Major | 1 | 5B | 67 BPM | ||
Hosanna to the Son of David | Thomas Weelkes, Andrew Fletcher, Ex Cathedra, Jeffrey Skidmore | B♭ Minor | 2 | 3A | 132 BPM | ||
4 Gesange, Op. 17: Es tont ein voller Harfenklang | Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | C Major | 1 | 8B | 111 BPM | ||
Requiem, Op. 9 (1961 version): Domine Jesu Christe | Maurice Duruflé, Didier Henry, Eric Lebrun, François Poly, Beatrice Uria-Monzon, Marc Vieillefon, Michel Piquemal Vocal Ensemble, Orchestre De La Cite, Michel Piquemal | D♭ Minor | 1 | 12A | 129 BPM | ||
Gott ist mein Hirt, D. 706 | Franz Schubert, Ensemble Pygmalion, Raphael Pichon | E Minor | 0 | 9A | 56 BPM | ||
Locus iste, WAB 23 | Anton Bruckner, St. Bride's Church Choir, Fleet Street, Robert Jones | C Major | 0 | 8B | 78 BPM | ||
Threefold Amen | Orlando Gibbons, Gabrieli, Paul McCreesh | D Major | 0 | 10B | 67 BPM | ||
Short Service: Nunc dimittis (Short Service) | Orlando Gibbons, Oxford Camerata, Jeremy Summerly | A♭ Major | 1 | 4B | 74 BPM |