"Le dernier jour d'un condamné / Acte I: Je viens de faire mon testament" by David Alagna, Roberto Alagna, Orchestre national d'île-de-France, Michel Plasson was released on January 1, 2008. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in David Alagna, Roberto Alagna, Indra Thomas, Richard Rittelmann, Jean-Philippe Lafont, Chœur régional Vittoria d'Ile de France, Orchestre national d'île-de-France, Michel Plasson's "Le Dernier Jour D'Un Condamné" album is number 9 out of 41. On top of that, France appears to be the country where this track was created. Le dernier jour d'un condamné / Acte I: Je viens de faire mon testament is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le dernier jour d'un condamné / Acte I: Je viens de faire mon testament by David Alagna, Roberto Alagna, Orchestre national d'île-de-France, Michel Plasson to be Andante (at a walking pace) because the track has a tempo of 84 テンポ, a half-time of 42テンポ, and a double-time of 168 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le dernier jour d'un condamné / Acte I: Monsieur, je vous attends | David Alagna, Roberto Alagna, Jean-Philippe Lafont, Chœur régional Vittoria d'Ile de France, Daniel Bargier, Orchestre national d'île-de-France, Michel Plasson | G Minor | 3 | 6A | 98 BPM | ||
L'heure exquise | Stephanie Puchalla | B Major | 2 | 1B | 151 BPM | ||
Don Giovanni, K. 527, Act I: Dalla sua pace | Wolfgang Amadeus Mozart, Cesare Valletti, Arturo Basile, Orchestra Sinfonica Di Torino Della Rai | B♭ Major | 1 | 6B | 112 BPM | ||
O del mio amato ben - Voice | Stefano Donaudy, Carlo Bergonzi | A Major | 1 | 11B | 60 BPM | ||
Turandot: Tu, che di gel sei cinta | Mirella Freni, Vienna Volksoper Orchestra, Argeo Quadri | B Major | 2 | 1B | 87 BPM | ||
Chansons de Marjolie: No. 3, Celui que j’aime | Théodore Dubois, Véronique Gens, Munich Radio Orchestra, Herve Niquet | A Major | 1 | 11B | 89 BPM | ||
E Lucevan Le Stelle (Tosca), 900861: Puccini: E Lucevan Le Stelle (Tosca) - E Lucevan Le Stelle (Tosca) | Giacomo Puccini, Charles Castronovo, Munich Radio Orchestra, Ivan Repušić | F Minor | 3 | 4A | 121 BPM | ||
Le dernier jour d'un condamné / Acte II: Mon fils, mon fils, croyez-vous en Dieu ? | David Alagna, Roberto Alagna, Jean-Philippe Lafont, Orchestre national d'île-de-France, Michel Plasson | D Minor | 0 | 7A | 70 BPM | ||
I Walk My Path Alone (Vïkhozhu odin ya na dorogu) | Lev Kontorovich, Elizaveta Shashina, Dmitri Hvorostovsky, Masters of Choral Singing | A♭ Major | 3 | 4B | 78 BPM | ||
Vier Lieder, Op. 27, TrV 170: 4. Morgen | Richard Strauss, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 3 | 9B | 76 BPM |