"O del mio amato ben - Voice" by Stefano Donaudy, Carlo Bergonzi was released on 1959. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 35 in the song's album "The Great Carlo Bergonzi". In this album, this song's track order is #5. O del mio amato ben - Voice is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With O del mio amato ben - Voice by Stefano Donaudy, Carlo Bergonzi having a テンポ of 60 with a half-time of 30 テンポ and a double-time of 120 テンポ, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chanson triste | Henri Duparc, Véronique Gens, Susan Manoff | C Major | 1 | 8B | 107 BPM | ||
Der Zarewitsch: Einer wird kommen - Musical Moments | Franz Lehár, Nadine Sierra, Orchestra Sinfonica Nazionale Della RAI, Riccardo Frizza | F Major | 0 | 7B | 81 BPM | ||
L´Arlesiana: È la solita storia | Francesco Cilea, Jon Vickers, Orchestra Dell Opera Di Roma, Tullio Serafin | A Minor | 1 | 8A | 77 BPM | ||
Amarilli, mia bella | Emiliano Géant | F Major | 1 | 7B | 134 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Anne Sofie von Otter, Francisco Araiza, Cheryl Studer, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Jeffrey Tate | G Major | 3 | 9B | 140 BPM | ||
Die Nacht, Op.10, No.3 | Richard Strauss, Barbara Bonney, Malcolm Martineau | D Major | 0 | 10B | 174 BPM | ||
Les Pêcheurs de perles: Leïla!...Dieu puissant, le voila! (Nadir, Leïla) | Georges Bizet, Nicolai Gedda, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | F Major | 1 | 7B | 137 BPM | ||
Chausson: Les papillons, Op. 2, No. 3 | Ernest Chausson, Susan Graham, Malcolm Martineau | G Major | 1 | 9B | 78 BPM | ||
5 mélodies populaires grecques: No. 3, Quel galant m'est comparable | Radio Bratislava Symphony Orchestra, Paulina Stark, Dennis Burkh | G Major | 1 | 9B | 0 BPM | ||
Arie di stile antico, Vol. III: No. 12, Tempo alfin di muover guerra | Stefano Donaudy, Samuele Pala, Ernesto Palacio | F Major | 0 | 7B | 136 BPM |