"Arie di stile antico, Vol. III: No. 12, Tempo alfin di muover guerra" by Stefano Donaudy, Samuele Pala, Ernesto Palacio was released on January 1, 1995. The duration of Arie di stile antico, Vol. III: No. 12, Tempo alfin di muover guerra is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Arie di stile antico, Vol. III: No. 12, Tempo alfin di muover guerra's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 25 in Donaudy: Arie Di Stile Antico by Stefano Donaudy, Ernesto Palacio, Samuele Pala. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Based on our statistics, Arie di stile antico, Vol. III: No. 12, Tempo alfin di muover guerra's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Arie di stile antico, Vol. III: No. 12, Tempo alfin di muover guerra by Stefano Donaudy, Samuele Pala, Ernesto Palacio is Allegro (fast, quick, and bright), since this song has a tempo of 136 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pagliacci: Act I: Vesti la Giubba | Franco Corelli, Ruggero Leoncavallo, Orchestra Sinfonica Nazionale della RAI di Torino, Arturo Basile | G Major | 7 | 9B | 102 BPM | ||
Puts: The Hours, Act 2: "Mm... ’Stead of Jousting You’d Rather…" (Mrs. Latch, Richie, Laura, Clarissa, Virginia, Leonard, Nelly) [Live] | Kevin Puts, Yannick Nézet-Séguin, Eve Gigliotti, Joyce DiDonato, Kai Edgar, Kathleen Kim, Kelli O'Hara, Renée Fleming, Sean Panikkar, Metropolitan Opera Orchestra | A Major | 1 | 11B | 79 BPM | ||
O del mio amato ben | Stefano Donaudy, İnarə Babayeva | A♭ Major | 1 | 4B | 109 BPM | ||
The Year's At The Spring | Amy Beach, Deborah Voigt | D♭ Major | 2 | 3B | 130 BPM | ||
Don Pasquale: Quel guardo il cavaliere | Gaetano Donizetti, Olga Peretyatko, Miguel Gomez-Martinez | B♭ Major | 2 | 6B | 95 BPM | ||
Turandot, Act 2: "in Questa Reggia" | Birgit Nilsson | D Major | 3 | 10B | 85 BPM | ||
Aquel Sombrero de Monte | Fernando Obradors, Pilar Lorengar, Miguel Zanetti | F Major | 0 | 7B | 84 BPM | ||
Considering Matthew Shepard: Passion, 23. In Need of Breath | Craig Hella Johnson, Conspirare | E♭ Minor | 1 | 2A | 89 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act II: Non aucun hôte vraiment (Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | A Major | 3 | 11B | 98 BPM | ||
Will There Really Be a Morning? | Ricky Ian Gordon, Nadine Sierra, Royal Philharmonic Orchestra, Robert Spano | B♭ Major | 2 | 6B | 166 BPM |