Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz made "Trio in E flat major / Mi bémol majeur / Es-dur: IV. Allegro" available on October 21, 2010. The duration of Trio in E flat major / Mi bémol majeur / Es-dur: IV. Allegro is about 3 minutes long, at 3:28. Based on our data, "Trio in E flat major / Mi bémol majeur / Es-dur: IV. Allegro" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 69 in the song's album "Telemann: Complete Tafelmusik". In this album, this song's track order is #4. Based on our statistics, Trio in E flat major / Mi bémol majeur / Es-dur: IV. Allegro's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Trio in E flat major / Mi bémol majeur / Es-dur: IV. Allegro by Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz having a テンポ of 120 with a half-time of 60 テンポ and a double-time of 240 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in D Minor, Op. 2, No. 5: II. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | D Minor | 2 | 7A | 110 BPM | ||
Symphony No. 5 in C Major: I. Andante - | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | B Major | 1 | 1B | 123 BPM | ||
Sonata a 4 in A minor - Largo - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | A♭ Minor | 2 | 1A | 128 BPM | ||
Pièces à deux violes du Premier Livre, Suite en sol majeur: V. Gigue (1686) | Marin Marais, Jordi Savall, Christophe Coin, Ton Koopman, Hopkinson Smith | F♯ Major | 2 | 2B | 141 BPM | ||
Trio Sonata No. 2 in G Minor: IV. Menuets I & II | Giovanni Bononcini, London Baroque | E Major | 1 | 12B | 106 BPM | ||
Violin Sonata in E-Flat Major: II. Adagio moderato | Franz Benda, Georg Kallweit, Berlin Baroque Compagney | D Major | 0 | 10B | 56 BPM | ||
Florilegium II, Chaconne de la Suite IV « Impatientia » | Georg Muffat, Le Concert Des Nations, Jordi Savall | A Major | 2 | 11B | 138 BPM | ||
Suite No. 1 in G Major, Z. 660: II. Almand | Henry Purcell, Richard Egarr | F Major | 2 | 7B | 69 BPM | ||
Concerto a cinque No. 8, Op. 9: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A Major | 2 | 11B | 83 BPM | ||
Intermedes de Xerxes: 3e Air pour les Docteurs, Frivelins, et Polichinelles | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | D♭ Major | 0 | 3B | 102 BPM |