"Sonata A Tre Viol Da Gamba (Excerpts): III. Ciaconi Adagio (Nicolai)" by Johann Michael Nicolai, Masques, Olivier Fortin was released on March 21, 2006. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Masques, Olivier Fortin's "Mensa Sonora - Biber And His Contemporaries" album is number 13 out of 29. Based on our statistics, Sonata A Tre Viol Da Gamba (Excerpts): III. Ciaconi Adagio (Nicolai)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonata A Tre Viol Da Gamba (Excerpts): III. Ciaconi Adagio (Nicolai) by Johann Michael Nicolai, Masques, Olivier Fortin to be Allegro (fast, quick, and bright) because the track has a tempo of 133 テンポ, a half-time of 66テンポ, and a double-time of 266 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio Sonata in G Major, TWV 42:G10: II. Vivace | Georg Philipp Telemann, London Baroque | F♯ Major | 3 | 2B | 97 BPM | ||
Les plaisirs de Versailles, H. 480: Overture | Marc-Antoine Charpentier, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs | B♭ Major | 3 | 6B | 127 BPM | ||
La divisione del Mondo: Aria "Lumi potete piangere" | Giovanni Legrenzi, Théotime Langlois de Swarte, Le Consort | A Major | 2 | 11B | 118 BPM | ||
Marais: Pièces en trio: Suite No. 5 en mi mineur: X. Passacaille | Marin Marais, Ensemble Amalia | E♭ Minor | 2 | 2A | 118 BPM | ||
Sonata II In G Minor: I. Grave (Muffat) | Georg Muffat, Masques, Olivier Fortin | F♯ Minor | 0 | 11A | 132 BPM | ||
Sonate, correnti et arie, Op. 4: Sonata No. 26 "La Prosperina" | Marco Uccellini, London Baroque | F♯ Minor | 2 | 11A | 108 BPM | ||
Scylla et Glaucus, Op. 11: Prologue. Air gracieux pour les Peuples d’Amathonte | Jean-Marie Leclair, d’Albaret, Orfeo Orchestra, Gyorgy Vashegyi | A♭ Minor | 0 | 1A | 133 BPM | ||
Guitar Quintet No. 7 in E Minor, G. 451: II. Adagio | Luigi Boccherini, José Miguel Moreno, La Real Cámara | F Major | 2 | 7B | 106 BPM | ||
Concerto 6 in A Major, Op. 7: II. Aria grazioso non troppo adagio | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | A♭ Major | 1 | 4B | 95 BPM | ||
Sonata Quinta in E Minor: III. Largo | Henry Eccles, Théotime Langlois de Swarte, Thomas Dunford | B♭ Minor | 0 | 3A | 121 BPM |