""Für Elise" Bagatelle No. 25 in A Minor (feat. Sarah Ainsworth)" by The Royal Festival Orchestra, William Bowles, Sarah Ainsworth was released on 2011. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in The Royal Festival Orchestra, William Bowles's "Music Time With Beethoven - 4 Babies" album is number 1 out of 13. On top of that, United States appears to be the country where this track was created. Based on our statistics, "Für Elise" Bagatelle No. 25 in A Minor (feat. Sarah Ainsworth)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of "Für Elise" Bagatelle No. 25 in A Minor (feat. Sarah Ainsworth) by The Royal Festival Orchestra, William Bowles, Sarah Ainsworth to be Allegro (fast, quick, and bright) because the track has a tempo of 121 テンポ, a half-time of 60テンポ, and a double-time of 242 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Grieg: Peer Gynt Suite No. 1, Op. 46 - 1. Morgenstemning (Morning Mood) | The Royal Festival Orchestra | E Major | 1 | 12B | 139 BPM | ||
Orfeo ed Euridice: Dance of the Blessed Spirits | Christoph Willibald Gluck, Slovak State Philharmonic Orchestra, Johannes Wildner | F Major | 0 | 7B | 138 BPM | ||
Fauré: Dolly Suite, Op. 56: I. Berceuse (For Piano 4-Hands) | Gabriel Fauré, Jean-Philippe Collard | E Major | 1 | 12B | 140 BPM | ||
Thaïs: Méditation | London Philharmonic Orchestra, Pieter Schoeman | D Major | 2 | 10B | 124 BPM | ||
Paganini: Cantabile in D Major, Op. 17 | Niccolò Paganini, Alexander Markov, Eduardo Fernandez | D Major | 1 | 10B | 92 BPM | ||
3 Old Viennese Dances: II. Liebesleid | Fritz Kreisler, Yo-Yo Ma | A Major | 0 | 11B | 85 BPM | ||
Cello Concerto No. 1 in C Major, Hob. VIIb/1: III. Allegro Molto | Joseph Haydn, Lev Markiz, Moscow Chamber Orchestra, Natalia Gutman | E♭ Major | 0 | 5B | 103 BPM | ||
Sonata No. 8 para piano in C Minor, Op. 13 " Sonata pathétique " : II. Adagio cantabile | Wolf Rottmann | A♭ Major | 0 | 4B | 173 BPM | ||
Sheep May Safely Graze | Philharmonia Slavonica | B♭ Major | 0 | 6B | 102 BPM | ||
Rimsky-Korsakov: The Tale of Tsar Saltan, Act III: The Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 0 | 9B | 86 BPM |