Rinaldo Alessandrini, Concerto Italiano, Monica Piccinini, Sonia Tedla, Francesca Cassinari, Andrés Montilla, Luca Cervoni, Gabriele Lombardi's 'Convocamini, congregamini: No. 8, Cum iucunditate' had a release date set for June 21, 2024. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Convocamini, congregamini: No. 8, Cum iucunditate's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 38 in the song's album "Stradella: Mottetti". In this album, this song's track order is #36. Furthermore, we believe that the track originated from France. In terms of popularity, Convocamini, congregamini: No. 8, Cum iucunditate is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Convocamini, congregamini: No. 8, Cum iucunditate by Rinaldo Alessandrini, Concerto Italiano, Monica Piccinini, Sonia Tedla, Francesca Cassinari, Andrés Montilla, Luca Cervoni, Gabriele Lombardi having a テンポ of 93 with a half-time of 46 テンポ and a double-time of 186 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Confitebor tibi Domine: IV. Memoriam fecit mirabilium | Henri Desmarets, Normand Richard, Les Violons du Roy, Christopher Jackson | A Minor | 1 | 8A | 178 BPM | ||
Messa di Gloria: XV. Et vitam | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | D Major | 1 | 10B | 64 BPM | ||
In tribulationibus, in angustiis: No. 4, Hic spirant lenite | Rinaldo Alessandrini, Concerto Italiano, Sonia Tedla, Monica Piccinini | A Major | 3 | 11B | 93 BPM | ||
Gloria, ZWV 30: V. Qui sedes | Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Vaclav Luks | E Major | 1 | 12B | 84 BPM | ||
Stabat Mater, for Soprano, Alto, Strings and Organ in F Major: No. 1, Stabat mater dolorosa. Grave (Duet) | Giovanni Battista Pergolesi, Gemma Bertagnolli, Sara Mingardo, Concerto Italiano, Rinaldo Alessandrini | E Minor | 0 | 9A | 77 BPM | ||
Stabat Mater in G Minor: VII. Sancta Mater | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | B Minor | 0 | 10A | 57 BPM | ||
Kuhnau: Magnificat in C Major: V. Chorus. "Quia fecit" | Johann Kuhnau, Hermann Max, Das Kleine Konzert, Rheinische Kantorei | D♭ Major | 2 | 3B | 109 BPM | ||
Laudate Pueri: V. Sucitans a terra | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Rowan Pierce, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
L'italiana in Algeri: Atto I. Duetto. Ai capricci della sorte | Gioachino Rossini, Vasilisa Berzhanskaya, Pablo Ruiz, Orchestra Of The 18th Century, Giancarlo Andretta | A♭ Major | 2 | 4B | 98 BPM | ||
Messa di Gloria: II. Gloria | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | E♭ Major | 1 | 5B | 66 BPM |