"Eternally" by Geofrey Parsons, Charlie Chaplin, Alfredo Kraus, Victor Pablo Pérez, Orquesta Sinfonica De Tenerife was released on April 3, 1991. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 26 in Con el Corazon by Alfredo Kraus. The popularity of Eternally is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Eternally by Geofrey Parsons, Charlie Chaplin, Alfredo Kraus, Victor Pablo Pérez, Orquesta Sinfonica De Tenerife is Vivace (lively and fast), since this song has a tempo of 173 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O Mio Bambino Caro (From A Room With A View) | Cedar Lane Studio Orchestra | A♭ Major | 4 | 4B | 172 BPM | ||
Esta Tarde Vi Llover | José Carreras, Lang Lang | D Major | 4 | 10B | 180 BPM | ||
Buzzi-Peccia: Lolita | Luciano Pavarotti, Orchestra, Henry Mancini, Andrea Griminelli | F♯ Major | 2 | 2B | 72 BPM | ||
La Habanera De Carmen: L'amour est un oiseau rebelle - Remasterizado 2003 | Tania Libertad | D Major | 3 | 10B | 120 BPM | ||
Samson et Dalila, Op. 47: Mon c?ur s'ouvre à ta voix - Instrumental | Camille Saint-Saëns, Andre Kostelanetz, New York Philharmonic | D Major | 2 | 10B | 68 BPM | ||
Donizetti: L'elisir d'amore, Act 1 Scene 1: No. 1b, Cavatina, "Quanto è bella, quanto è cara!" (Nemorino) | Gaetano Donizetti, Rolando Villazón, Marcello Viotti, Munich Radio Orchestra, Muenchner Rundfunkorchester | C Major | 1 | 8B | 171 BPM | ||
Méditation (From "Thaïs") | 101 Strings Orchestra | D Major | 2 | 10B | 164 BPM | ||
Gigantes y Cabezudos: "Coro de repatriados" | Orfeon Donostiarra, Carlos Munguia | G Major | 3 | 9B | 99 BPM | ||
22. Love unrequited | Arthur Sullivan, John Reed, The New Symphony Orchestra Of London, Isidore Godfrey | F Major | 4 | 7B | 107 BPM | ||
Rachel, quand du Seigneur (La Juive) | Richard Tucker, The Columbia Opera Orchestra | F Minor | 2 | 4A | 92 BPM |