Nicola Porpora, Mary-Ellen Nesi, Dilyara Idrisova, Capella Cracoviensis, Jan Tomasz Adamus made "Germanico in Germania / Act 1: "Miseri oh Dio! noi siam perduti"" available on November 3, 2017. The duration of Germanico in Germania / Act 1: "Miseri oh Dio! noi siam perduti" is about 3 minutes long, at 3:01. Based on our data, "Germanico in Germania / Act 1: "Miseri oh Dio! noi siam perduti"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 69 in the song's album "Porpora: Germanico in Germania". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Germanico in Germania / Act 1: "Miseri oh Dio! noi siam perduti" is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Germanico in Germania / Act 1: "Miseri oh Dio! noi siam perduti" by Nicola Porpora, Mary-Ellen Nesi, Dilyara Idrisova, Capella Cracoviensis, Jan Tomasz Adamus having a テンポ of 111 with a half-time of 56 テンポ and a double-time of 222 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 5/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonate No.5 (Six Sonates en symphonies op. 3): 2. Aria: Gratioso | Jean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc Minkowski | F♯ Minor | 0 | 11A | 106 BPM | ||
Dixit Dominus, ZWV 66: Judicabit - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | F♯ Minor | 3 | 11A | 121 BPM | ||
Lumi, potete piangere | Giovanni Legrenzi, Christina Pluhar | G Minor | 0 | 6A | 86 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | ||
O quam tu pulchra es (Cantio sacra 1628. R. Ewerhart, Köln) | Philippe Jaroussky, Ensemble Artaserse | A Minor | 0 | 8A | 109 BPM | ||
Beatus vir: I. Beatus vir | Domenico Zipoli, Florilegium, Bolivian Soloists | E Major | 2 | 12B | 117 BPM | ||
Il nascimento dell’Aurora: “Aure andate e baciate” | Tomaso Albinoni, Cecilia Bartoli, Sol Gabetta, Cappella Gabetta, Andrés Gabetta | B Major | 4 | 1B | 116 BPM | ||
Son tutta duolo | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | G Minor | 0 | 6A | 92 BPM | ||
Concerto in G Minor - Oboe, Strings & B.C., Seibel 237: Allegro (2) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | C Major | 1 | 8B | 89 BPM | ||
The Fairy Queen, Z. 629, Act III: If Love's a Sweet Passion | Henry Purcell, Simone Kermes, Enrico Casazza | G Minor | 2 | 6A | 87 BPM |