"Also sprach Zarathustra, Op.30: Prelude (Sonnenaufgang)" by Richard Strauss, Los Angeles Philharmonic, Zubin Mehta was released on January 1, 2002. The duration of Also sprach Zarathustra, Op.30: Prelude (Sonnenaufgang) is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Also sprach Zarathustra, Op.30: Prelude (Sonnenaufgang)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 72 in the song's album "Strauss, Richard: The Tone Poems". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Also sprach Zarathustra, Op.30: Prelude (Sonnenaufgang)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Also sprach Zarathustra, Op.30: Prelude (Sonnenaufgang) by Richard Strauss, Los Angeles Philharmonic, Zubin Mehta having a テンポ of 140 with a half-time of 70 テンポ and a double-time of 280 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stimmungsbilder, Op.9 : I. Auf stillem Waldespfad (In silent forests) | Alex Alguacil, Richard Strauss | B♭ Major | 0 | 6B | 119 BPM | ||
Symphony No. 5 in C-Minor, Op. 67: I. Allegro con brio | Ludwig van Beethoven, Herbert Blomstedt, Staatskapelle Dresden | C Minor | 3 | 5A | 90 BPM | ||
The Firebird Suite *: Finale | Igor Stravinsky, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | D♭ Minor | 3 | 12A | 64 BPM | ||
Die Fledermaus: Overture | Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber | D Major | 2 | 10B | 109 BPM | ||
Götterdämmerung, WWV 86D / Act III: Siegfried's Funeral March - Live | Richard Wagner, Gewandhausorchester, Andris Nelsons | F Minor | 0 | 4A | 71 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM | ||
Music for the Royal Fireworks, HWV 351: IV. La rejouissance | George Frideric Handel, Le Concert Spirituel, Herve Niquet | D♭ Major | 4 | 3B | 107 BPM | ||
Fanfare for the Common Man | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | B♭ Major | 2 | 6B | 73 BPM | ||
Concerto For Violin And Strings In F, Op.8, No.3, RV.293 "L'autunno": 1. Allegro (Ballo, e canto de' villanelli) - Live | Antonio Vivaldi, Shlomo Mintz, Israel Philharmonic Orchestra, Zubin Mehta | B♭ Major | 1 | 6B | 121 BPM | ||
Symphony No. 3 in D Minor: Part II, VI. Tempo I | Gustav Mahler, Esa-Pekka Salonen, Los Angeles Philharmonic | D Major | 1 | 10B | 71 BPM |