Jean-Joseph Cassanéa De Mondonville, Daniela Skorka, Alain Buet, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi's 'Nisi Dominus: Vanum est vobis (Soprano, Bass, Chorus)' came out on April 29, 2016. The duration of Nisi Dominus: Vanum est vobis (Soprano, Bass, Chorus) is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Nisi Dominus: Vanum est vobis (Soprano, Bass, Chorus)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jean-Joseph Cassanéa De Mondonville, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi's "Mondonville: Grands Motets" album is number 2 out of 30. On top of that, Spain appears to be the country where this track was created. Nisi Dominus: Vanum est vobis (Soprano, Bass, Chorus) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Nisi Dominus: Vanum est vobis (Soprano, Bass, Chorus) by Jean-Joseph Cassanéa De Mondonville, Daniela Skorka, Alain Buet, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi to be Andante (at a walking pace) because the track has a tempo of 77 テンポ, a half-time of 38テンポ, and a double-time of 154 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mondonville : In exitu Israel : V | Jean-Joseph Cassanéa De Mondonville, William Christie, Les Arts Florissants | E♭ Major | 1 | 5B | 92 BPM | ||
Charpentier : Concert pour 4 parties de violes H545 : I Prelude | Marc-Antoine Charpentier, William Christie, Les Arts Florissants | B Major | 2 | 1B | 171 BPM | ||
Il Giustino, RV 717, Act I, Scene 4: Misero è ben colui che dopo nato (Giustino) | Antonio Vivaldi, Accademia Bizantina, Ottavio Dantone, Delphine Galou | B♭ Major | 0 | 6B | 74 BPM | ||
Ich habe genug, BWV 82: I. Ich habe genug (Aria) | Johann Sebastian Bach, Miriam Feuersinger, Capricornus Consort Basel | B Major | 5 | 1B | 96 BPM | ||
Mondonville : In exitu Israel : "Mare vivit" | Jean-Joseph Cassanéa De Mondonville, William Christie, Les Arts Florissants | D♭ Major | 3 | 3B | 62 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 3, Les graces | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: II. Allemanda | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | E♭ Minor | 1 | 2A | 137 BPM | ||
Anacréon - original version / Scene 5: Contredanse | Jean-Philippe Rameau, Les Musiciens du Louvre, Marc Minkowski | E♭ Major | 1 | 5B | 106 BPM | ||
Suitte en Trio No. 3 in E Minor, Op. 1: I. Prelude | Louis-Antoine Dornel, Musica Barocca | F♯ Major | 0 | 2B | 80 BPM | ||
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: I. Un poco andante | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM |