"Estaciones Portenas "Seasons in Buenos Aires" for Piano Trio: Invierno Porteno - Andante" by Artemis Quartet, Jacques Ammon was released on May 11, 2009. Since Estaciones Portenas "Seasons in Buenos Aires" for Piano Trio: Invierno Porteno - Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "The Piazzolla Project". In this album, this song's track order is #3. In terms of popularity, Estaciones Portenas "Seasons in Buenos Aires" for Piano Trio: Invierno Porteno - Andante is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Estaciones Portenas "Seasons in Buenos Aires" for Piano Trio: Invierno Porteno - Andante by Artemis Quartet, Jacques Ammon having a テンポ of 99 with a half-time of 50 テンポ and a double-time of 198 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Mer | Dirk Maassen | A Minor | 1 | 8A | 110 BPM | ||
Recomposed By Max Richter: Vivaldi, The Four Seasons: Autumn 2 - 2012 | Max Richter, Daniel Hope, Raphael Alpermann, Konzerthaus Kammerorchester Berlin, Andre de Ridder | D Major | 1 | 10B | 88 BPM | ||
The Sound of Trees: Apaisé, boisé | Camille Pépin, Orchestre De Picardie, Arie Van Beek, Julien Hervé, Yan Levionnois | A Minor | 2 | 8A | 138 BPM | ||
Requiem: 5. Pie Jesu | The Ayoub Sisters, Royal Philharmonic Orchestra, Mark Messenger | A Major | 1 | 11B | 87 BPM | ||
Yumeji's Theme - From "In The Mood For Love" | Shigeru Umebayashi, Gidon Kremer, Kremerata Baltica | C Minor | 0 | 5A | 99 BPM | ||
The Arts and the Hours | Jean-Philippe Rameau, Víkingur Ólafsson | D♭ Major | 0 | 3B | 136 BPM | ||
The Protecting Veil: The Dormition of the Mother of God | John Tavener, Maria Kliegel, Ulster Orchestra, Takuo Yuasa | G Major | 0 | 9B | 84 BPM | ||
Les berceaux, Op. 23, No. 1 | Gabriel Fauré, Mischa Maisky, Daria Hovora | C Minor | 0 | 5A | 87 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
El dia que me quieras (arr. E. Rungel and J. Ammon) | Carlos Gardel, Eckart Runge, Jacques Ammon, Cello Project | C Minor | 1 | 5A | 98 BPM |