"Monteverdi: L'Orfeo, favola in musica, SV 318, Act 2: Sinfonia - "Chi ne consola, ahi lassi?" (Pastori II, IV, Ninfe, Pastori)" by Claudio Monteverdi, Emmanuelle Haïm was released on 2004. With this song being about 5 minutes long, at 5:28, "Monteverdi: L'Orfeo, favola in musica, SV 318, Act 2: Sinfonia - "Chi ne consola, ahi lassi?" (Pastori II, IV, Ninfe, Pastori)" by Claudio Monteverdi, Emmanuelle Haïm is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Claudio Monteverdi, Emmanuelle Haïm's "Monteverdi: L'Orfeo" album is number 36 out of 80. On top of that, United Kingdom appears to be the country where this track was created. Monteverdi: L'Orfeo, favola in musica, SV 318, Act 2: Sinfonia - "Chi ne consola, ahi lassi?" (Pastori II, IV, Ninfe, Pastori) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Monteverdi: L'Orfeo, favola in musica, SV 318, Act 2: Sinfonia - "Chi ne consola, ahi lassi?" (Pastori II, IV, Ninfe, Pastori) by Claudio Monteverdi, Emmanuelle Haïm to be Larghetto (rather broadly) because the track has a tempo of 65 テンポ, a half-time of 32テンポ, and a double-time of 130 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ach bleib bei uns, Herr Jesu Christ | Johann Michael Bach, Vox Luminis, Lionel Meunier, Zsuzsi Tóth, Daniel Elgersma, Philippe Froeliger | B♭ Major | 1 | 6B | 77 BPM | ||
Gloria in D, RV 589: II. Et in terra pax hominibus | Antonio Vivaldi, Choir of King's College, Cambridge, Stephen Cleobury, Academy of Ancient Music | B♭ Minor | 2 | 3A | 130 BPM | ||
Rejoice in the Lord alway, verse anthem, Z.49 | Henry Purcell, Philippe Herreweghe, Collegium Vocale Gent | D♭ Major | 1 | 3B | 73 BPM | ||
Vespro della Beata Vergine, SV 206: VIII. Nisi Dominus a 10 - Live | Claudio Monteverdi, English Baroque Soloists, His Majestys Sagbutts & Cornetts, John Eliot Gardiner, The Monteverdi Choir | B Minor | 1 | 10A | 135 BPM | ||
Weepe you no more, sad fountaines | John Dowland, Elin Manahan Thomas, David Miller, Harry Christophers | F♯ Minor | 0 | 11A | 93 BPM | ||
In darkness let me dwell | John Dowland, Andreas Scholl, Edin Karamazov | E Major | 0 | 12B | 83 BPM | ||
Il bianco e dolce cigno | Jacques Arcadelt, Cappella Mediterranea, Leonardo García-Alarcón | A Minor | 1 | 8A | 131 BPM | ||
Si Dolce È Il Tormento (Libro Nono) | Jordi Savall, Montserrat Figueras, Claudio Monteverdi | A♭ Major | 0 | 4B | 114 BPM | ||
Purcell : King Arthur : Act 5 "Fairest Isle" [Soprano] | William Christie | A♭ Major | 0 | 4B | 127 BPM | ||
Resveillez-vous, chacun fidèle | Jan Pieterszoon Sweelinck, Cappella Amsterdam, Daniel Reuss | E Minor | 2 | 9A | 141 BPM |