"Dvořák: Serenade in D Minor, Op. 44, B. 77: IV. Finale. Allegro molto" by Antonín Dvořák, English Chamber Orchestra Wind Ensemble/Sir Charles Mackerras, English Chamber Orchestra Wind Ensemble was released on 1983. Dvořák: Serenade in D Minor, Op. 44, B. 77: IV. Finale. Allegro molto is about six minutes long, preciously at 6:06, making this song fairly long compared to other songs. The song is number 9 out of 9 in Dvorak - String Serenade in E, Op.22 / Wind Serenade in D minor Op.44 by Antonín Dvořák, Sir Charles Mackerras, English Chamber Orchestra. Based on our statistics, Dvořák: Serenade in D Minor, Op. 44, B. 77: IV. Finale. Allegro molto's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Dvořák: Serenade in D Minor, Op. 44, B. 77: IV. Finale. Allegro molto by Antonín Dvořák, English Chamber Orchestra Wind Ensemble/Sir Charles Mackerras, English Chamber Orchestra Wind Ensemble is Allegro (fast, quick, and bright), since this song has a tempo of 156 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 40 in G Minor, K. 550: I. Allegro molto | Wolfgang Amadeus Mozart, Capella Istropolitana, Barry Wordsworth | G Minor | 2 | 6A | 109 BPM | ||
Cello Concerto in B Minor, Op. 104, B. 191: III. Finale (Allegro moderato) | Antonín Dvořák, Mischa Maisky, Tabea Zimmermann, Berliner Philharmoniker, Zubin Mehta | B Minor | 1 | 10A | 114 BPM | ||
Cello Suite No. 1 in G Major, BWV 1007: I. Prélude | Johann Sebastian Bach, Yo-Yo Ma | G Major | 2 | 9B | 73 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act I: No. 2, Waltz | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | A Major | 1 | 11B | 105 BPM | ||
Symphony No. 40 in G Minor, K. 550: I. Molto allegro | Wolfgang Amadeus Mozart, Riccardo Minasi, Ensemble Resonanz | G Minor | 3 | 6A | 119 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: V. Finale. Allegro vivace | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | E Major | 1 | 12B | 81 BPM | ||
Holberg Suite, Op. 40: 2. Sarabande (Andante) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 75 BPM | ||
Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique": IV. Finale. Adagio lamentoso - Andante | Pyotr Ilyich Tchaikovsky, Czech Philharmonic Orchestra, Semyon Bychkov | B Minor | 1 | 10A | 106 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Jazz Suite No. 1: I. Waltz | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | E♭ Major | 1 | 5B | 173 BPM |