"Songfest: 1. "To The Poem"" by Leonard Bernstein, Clamma Dale, Nancy Williams, Rosalind Elias, Neil Rosenshein, John Reardon, Donald Gramm, National Symphony Orchestra Washington was released on August 15, 1978. The duration of Songfest: 1. "To The Poem" is about 3 minutes long, at 3:26. Based on our data, "Songfest: 1. "To The Poem"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 15 in Bernstein: Songfest, Chichester Psalms by Leonard Bernstein, National Symphony Orchestra Washington, Israel Philharmonic Orchestra, Wiener Jeunesse-Chor. Songfest: 1. "To The Poem" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Songfest: 1. "To The Poem" by Leonard Bernstein, Clamma Dale, Nancy Williams, Rosalind Elias, Neil Rosenshein, John Reardon, Donald Gramm, National Symphony Orchestra Washington is Andante (at a walking pace), since this song has a tempo of 85 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Symphonic Dances from "West Side Story" *: Symphonic Dances from West Side Story: Scherzo (Vivace leggiero) | Leonard Bernstein, New York Philharmonic, West Side Story Original Broadway Cast | F Major | 1 | 7B | 108 BPM | ||
March From Things To Come | Arthur Bliss, Bliss, Royal Philharmonic Orchestra, Robin Stapleton | C Major | 5 | 8B | 114 BPM | ||
A Quiet Place, Act III: My Heart Shall Be... Thy... Garden - Live | Leonard Bernstein, Beverly Morgan, Peter Kazaras, Chester Ludgin, John Brandstetter, Vienna Radio Symphony Orchestra | D Minor | 0 | 7A | 105 BPM | ||
Symphony No. 5 in D Minor, Op. 47: III. Largo | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | A Major | 1 | 11B | 64 BPM | ||
The Tale Of Tsar Saltan: 3. The Flight Of The Bumble-Bee | Nikolai Rimsky-Korsakov, Philharmonia Orchestra, Vladimir Ashkenazy | D Minor | 0 | 7A | 187 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): Allegro moderato | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | F Minor | 1 | 4A | 127 BPM | ||
Appalachian Spring: VIII. Coda. Moderato | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Major | 0 | 8B | 106 BPM | ||
Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM | ||
Candide / Act I: 1. Overture | Leonard Bernstein, London Symphony Orchestra | B♭ Major | 4 | 6B | 148 BPM | ||
The Firebird Suite (1919 Version): IV. The Princesses' Round | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | B Major | 0 | 1B | 166 BPM |