"Orff: Carmina Burana, Pt. 2, In Taberna: Olim lacus colueram" by Carl Orff, Michel Plasson, Orfeon Donostiarra, Orchestre Du Capitole De Toulouse was released on 1995. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 15 out of 28 in Carmina Burana by Carl Orff. In terms of popularity, Orff: Carmina Burana, Pt. 2, In Taberna: Olim lacus colueram is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Orff: Carmina Burana, Pt. 2, In Taberna: Olim lacus colueram by Carl Orff, Michel Plasson, Orfeon Donostiarra, Orchestre Du Capitole De Toulouse is Moderato (at a moderate speed), since this song has a tempo of 115 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria rusticana: "Dite, mama Lucia" | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | F♯ Minor | 1 | 11A | 139 BPM | ||
In Quelle Trine Morbide - Manon Lescaut Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
Mozart: Die Zauberflöte, K. 620, Act 2: "O Isis und Osiris" (Die Priester) | Wolfgang Amadeus Mozart, Waldemar Kmentt/Erich Kunz/André von Mattoni/Symphonieorchester des Bayerischen Rundfunks/Bernard Haitink, Bernard Haitink, Gustaf Sjökvist, Sinfonie-Orchester Des Bayerischen Rundfunks | A♭ Major | 2 | 4B | 100 BPM | ||
Ingemisco | Giuseppe Verdi, Carmen Giannattasio, Veronica Simeoni, Alxander Timchenko, Carlo Colombara, Yuri Temirkanov, St. Petersburg Philharmonic Orchestra | E♭ Major | 0 | 5B | 82 BPM | ||
Puccini: Tosca, Act 3 Scene 4: "Presto! Su, Mario!" (Tosca, Sciarrone, Spoletta, Chorus) | Giacomo Puccini, Maria Callas, Angelo Mercuriali, Dario Caselli, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata | B Major | 5 | 1B | 88 BPM | ||
Massenet: Werther, Act 3: "Traduire ! Ah ! Bien souvent mon rêve s'envole" - "Pourquoi me réveiller, ô souffle du Printemps ?" (Werther) | Jules Massenet, Roberto Alagna, London Symphony Orchestra, Antonio Pappano | G Minor | 1 | 6A | 111 BPM | ||
Mozart: Die Zauberflöte, K. 620, Act 2: "Ach, ich fühl's, es ist verschwunden!" (Pamina) | Wolfgang Amadeus Mozart, Lucia Popp, Bavarian Radio Symphony Orchestra, Bernard Haitink | F♯ Minor | 3 | 11A | 95 BPM | ||
Rigoletto, Act IV: Bella figlia dell'amore | Giuseppe Verdi, Ettore Bastianini, Alfredo Kraus, Renata Scotto, Fiorenza Cossotto, Gianandrea Gavazzeni, Orchestra del Maggio Musicale Fiorentino | D♭ Major | 2 | 3B | 105 BPM | ||
Madama Butterfly / Act 2: E Izaghi ed Izanami, Sarundasico e Kami | Giacomo Puccini, Christa Ludwig, Mirella Freni, Wiener Philharmoniker, Herbert von Karajan | G Minor | 0 | 6A | 169 BPM | ||
Cäcilie | Richard Strauss, Anna Netrebko | A Major | 2 | 11B | 65 BPM |