"Mozart: Die Zauberflöte, K. 620, Act 2: "Ach, ich fühl's, es ist verschwunden!" (Pamina)" by Wolfgang Amadeus Mozart, Lucia Popp, Bavarian Radio Symphony Orchestra, Bernard Haitink was released on 1981. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wolfgang Amadeus Mozart, Bernard Haitink, Bavarian Radio Symphony Orchestra's "Mozart - Die Zauberflöte" album is number 17 out of 59. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Mozart: Die Zauberflöte, K. 620, Act 2: "Ach, ich fühl's, es ist verschwunden!" (Pamina) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Die Zauberflöte, K. 620, Act 2: "Ach, ich fühl's, es ist verschwunden!" (Pamina) by Wolfgang Amadeus Mozart, Lucia Popp, Bavarian Radio Symphony Orchestra, Bernard Haitink to be Andante (at a walking pace) because the track has a tempo of 95 テンポ, a half-time of 48テンポ, and a double-time of 190 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act I Scene 2: Cavatina - Se Vuol Ballare, Signor Contino | Donato Di Stefano, Maria Pia Ionata, Roberto Frontali, Ingrid Kertesi, Natale de Carolis, Hungarian State Opera Orchestra, Jozsef Mukk, Patrizia Pace, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | F Major | 1 | 7B | 134 BPM | ||
Die Lustige Witwe: Es lebt eine Vilja, ein Waldmägdelein (Vilja-Lied / Act 2) [Léon & Stein] | Franz Lehár, Lucia Popp, Ambrosian Opera Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 1 | 11B | 79 BPM | ||
Faust / Act 3: Air des bijoux: "Ah! Je ris de me voir" | Charles Gounod, Kiri Te Kanawa, Bavarian Radio Symphony Orchestra, Sir Colin Davis | F Major | 1 | 7B | 115 BPM | ||
Requiem In D Minor, K. 626: Sequence: IV. Recordare, Jesu Pie | Slovak Philharmonic, Vladimir Ruso, Jaroslava Horska, Slovak Philharmonic Chorus, Magdaléna Hajóssyová, Stefan Klimo, Peter Mikulas, Jozef Kundlák, Wolfgang Amadeus Mozart | F Major | 1 | 7B | 159 BPM | ||
Le nozze di Figaro, K.492 / Act 2: "Porgi amor" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Metropolitan Opera Orchestra, James Levine | C Minor | 1 | 5A | 61 BPM | ||
Schubert: Mass in G Major, D. 167: Kyrie | Franz Schubert, Lucia Popp, Elmar Schloter, Wolfgang Sawallisch, Bavarian Radio Symphony Orchestra | E Minor | 0 | 9A | 124 BPM | ||
Le Nozze di Figaro, K. 492: Atto terzo. Scene 11-14. N.23 Finale Figaro, Susanna, il Conte, la Contessa, 2 Ragazze, Coro "Ecco la marcia" | Wolfgang Amadeus Mozart, Collegium Vocale Gent, Concerto Köln, Elisabeth Rapp, Lorenzo Regazzo, Patrizia Ciofi, René Jacobs, Simon Keenlyside, Véronique Gens, Yeree Suh | G Major | 1 | 9B | 117 BPM | ||
Die Fledermaus / Act I: Nr. 4 Terzett: "So muss allein ich bleiben" | Johann Strauss II, Julia Varady, Lucia Popp, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber | C Major | 2 | 8B | 131 BPM | ||
Le nozze di Figaro, K.492 / Act 4: "Deh vieni, non tardar" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | F Major | 0 | 7B | 97 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act II Scene 3: Aria - Venite, Inginocchiatevi | Donato Di Stefano, Ingrid Kertesi, Roberto Frontali, Jozsef Mukk, Natale de Carolis, Maria Pia Ionata, Patrizia Pace, Hungarian State Opera Orchestra, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | G Major | 0 | 9B | 65 BPM |