Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel made "Tafelmusik - Banquet Music In 3 Parts / Production 1 - 5. Solo: 4. Allegro" available on January 1, 1989. The duration of Tafelmusik - Banquet Music In 3 Parts / Production 1 - 5. Solo: 4. Allegro is about 3 minutes long, at 3:16. Based on our data, "Tafelmusik - Banquet Music In 3 Parts / Production 1 - 5. Solo: 4. Allegro" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 70 in the song's album "Telemann: Banquet Music in three Parts". In this album, this song's track order is #8. Based on our statistics, Tafelmusik - Banquet Music In 3 Parts / Production 1 - 5. Solo: 4. Allegro's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Tafelmusik - Banquet Music In 3 Parts / Production 1 - 5. Solo: 4. Allegro by Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel having a テンポ of 136 with a half-time of 68 テンポ and a double-time of 272 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto Per Oboe, Archi E Continuo In Re Minore: III. Presto | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 2 | 12A | 118 BPM | ||
Telemann: Concerto for Recorder and Flute in E Minor, TWV 52:e1: I. Largo | Georg Philipp Telemann, Frans Brüggen, André Rieu, Franz Vester, Gustav Leonhardt, Paul Doctor, Chamber Orchestra of Amsterdam, Concerto Amsterdam, Südwestdeutsches Kammerorchester, & Friedrich Tilegant, Franz Vester, Gustav Leonhardt, André Rieu, Concertgebouw Chamber Orchestra | D Minor | 1 | 7A | 122 BPM | ||
Overture (Suite) In D Major, TWV 55:D15: V. Rejouissance | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 3 | 10B | 140 BPM | ||
Pavanne in F-sharp minor | Louis Couperin, Richard Egarr | E Minor | 1 | 9A | 68 BPM | ||
Cello Concerto No. 3 in A Major, Wq. 172: I. Allegro | Carl Philipp Emanuel Bach, Daniel Müller-Schott, L'Arte del mondo, Werner Ehrhardt | A Major | 3 | 11B | 127 BPM | ||
San Giovanni Battista: Sinfonia | Alessandro Stradella, Concerto Italiano, Rinaldo Alessandrini | D♭ Major | 1 | 3B | 64 BPM | ||
Overture (Suite) in A Minor for Recorder and Strings, TWV 55:a2: I. Ouverture | Georg Philipp Telemann, Jiří Stivín, Capella Istropolitana, Richard Edlinger | A Minor | 1 | 8A | 85 BPM | ||
12 Flute Sonatas (1724), Flute Sonata No. 2 in E Minor: III. Largo | Francesco Mancini, Dan Laurin, London Baroque | A♭ Minor | 0 | 1A | 75 BPM | ||
Overture (Suite) In C Major, TWV 55: C6: V. Sommeille | Cologne Chamber Orchestra, Georg Philipp Telemann | C Minor | 0 | 5A | 58 BPM | ||
Symphony in D Major, Op. 2 No. 5 "St. Cecilia's Day Ode": II. Tempo di gavotta | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 101 BPM |