Georg Philipp Telemann, Jiří Stivín, Capella Istropolitana, Richard Edlinger's 'Overture (Suite) in A Minor for Recorder and Strings, TWV 55:a2: I. Ouverture' came out on April 15, 1989. Overture (Suite) in A Minor for Recorder and Strings, TWV 55:a2: I. Ouverture is about six minutes long, preciously at 6:26, making this song fairly long compared to other songs. There are a total of 19 in the song's album "Telemann: Recorder Suite in A minor - Viola Concerto - Tafelmusik: 2 Concerti". In this album, this song's track order is #5. Overture (Suite) in A Minor for Recorder and Strings, TWV 55:a2: I. Ouverture is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Overture (Suite) in A Minor for Recorder and Strings, TWV 55:a2: I. Ouverture by Georg Philipp Telemann, Jiří Stivín, Capella Istropolitana, Richard Edlinger having a テンポ of 85 with a half-time of 42 テンポ and a double-time of 170 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture (Suite) In G Minor, TWV 55: G4: II. Rondeau: Gayement | Cologne Chamber Orchestra, Georg Philipp Telemann | B♭ Major | 3 | 6B | 134 BPM | ||
Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM | ||
Concerto I in Sol minore RV 157: Allegro | Modo Antiquo, Federico Maria Sardelli | G Minor | 2 | 6A | 107 BPM | ||
Concerto Grosso in D Major, Op. 6, No. 5, HWV 323: II. Allegro | George Frideric Handel, Capella Istropolitana, Jozef Kopelman | D Major | 3 | 10B | 121 BPM | ||
Symphony in B-Flat Major, Op. 2 No. 1: II. Moderato e dolce | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 1 | 6A | 84 BPM | ||
Piano Concerto No. 2 in B-Flat Major, Op. 19: III. Rondo: Molto allegro | Ludwig van Beethoven, Stefan Vladar, Capella Istropolitana, Barry Wordsworth | B♭ Major | 1 | 6B | 175 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : IV. Vivace | Arcangelo Corelli, Daniela Ruso, Ludovit Kanta, Quido Holbling, Anna Holbling, Capella Istropolitana | C Minor | 3 | 5A | 77 BPM | ||
Suite in G minor: VII. Rigaudon (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 118 BPM | ||
Symphony in D Major, Op. 2 No. 5 "St. Cecilia's Day Ode": III. Tempo di minuetto | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 152 BPM | ||
Trio Sonata in C Major, TWV 42:C2: I. Dolce | Georg Philipp Telemann, Erik Bosgraaf, Lucile Boulanger, Robert Smith, Alessandro Pianu | B Major | 0 | 1B | 94 BPM |