"Violin Concerto No. 2 in G Major, Op. 13: II. Adagio" by Friedrich Seitz, Takako Nishizaki, Terence Dennis was released on May 25, 2010. The duration of Violin Concerto No. 2 in G Major, Op. 13: II. Adagio is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Violin Concerto No. 2 in G Major, Op. 13: II. Adagio's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Takako Nishizaki Plays Suzuki Evergreens, Vol. 3". In this album, this song's track order is #2. In terms of popularity, Violin Concerto No. 2 in G Major, Op. 13: II. Adagio is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Violin Concerto No. 2 in G Major, Op. 13: II. Adagio by Friedrich Seitz, Takako Nishizaki, Terence Dennis having a テンポ of 115 with a half-time of 58 テンポ and a double-time of 230 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Sonatina in C Major, Op. 36, No. 3: I. Spiritoso | Muzio Clementi, Chun-Young June | C Major | 1 | 8B | 126 BPM | ||
Perpetula, MS 66 (Arr. for Violin & Piano): I. Andante amoroso | Niccolò Paganini, Mario Hossen, Nadja Hoebarth | B♭ Major | 1 | 6B | 175 BPM | ||
Long, Long Ago Variation in G Major (arr. Suzuki) | Thomas Haynes Bayly, Shinichi Suzuki, Takako Nishizaki, Terence Dennis | G Major | 1 | 9B | 88 BPM | ||
Cello Concerto No. 1 in C Major, Hob. VIIb/1: III. Allegro Molto | Joseph Haydn, Lev Markiz, Moscow Chamber Orchestra, Natalia Gutman | E♭ Major | 0 | 5B | 103 BPM | ||
12 Morceaux, Op. 40 (Arr. For Violin And Orchestra): No. 2. Chanson Triste | Pyotr Ilyich Tchaikovsky, Queensland Symphony Orchestra, Takako Nishizaki, Peter Breiner | A♭ Major | 1 | 4B | 81 BPM | ||
String Quintet in E Major, G. 275: III. Minuetto (arr. for violin and piano) | Luigi Boccherini, Shinichi Suzuki, Takako Nishizaki, Terence Dennis | A Major | 1 | 11B | 102 BPM | ||
Centone di sonate, Op. 64, MS 112: Sonata No. 6 in A Major: II. Rondo | Niccolò Paganini, Moshe Hammer, Norbert Kraft | A Major | 2 | 11B | 101 BPM | ||
Boccherini: Cello Concerto No. 8 in C Major, G. 481: III. Allegretto | Luigi Boccherini, Anner Bylsma, Concerto Amsterdam, Jaap Schröder | C Major | 3 | 8B | 80 BPM | ||
Caprice Basque, Op. 24 | Pablo de Sarasate, Julia Fischer, Milana Chernyavska | A Minor | 2 | 8A | 106 BPM | ||
Bach, C.P.E.: Flute Sonata in G Major, Wq. 133, H. 564: I. Allegretto | Carl Philipp Emanuel Bach, Emmanuel Pahud | G Major | 1 | 9B | 136 BPM |