Niccolò Paganini, Moshe Hammer, Norbert Kraft made "Centone di sonate, Op. 64, MS 112: Sonata No. 6 in A Major: II. Rondo" available on October 31, 1994. Centone di sonate, Op. 64, MS 112: Sonata No. 6 in A Major: II. Rondo is about six minutes long, preciously at 5:42, making this song fairly long compared to other songs. There are a total of 11 in the song's album "Paganini: Centone Di Sonate, Vol. 1". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Centone di sonate, Op. 64, MS 112: Sonata No. 6 in A Major: II. Rondo is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Centone di sonate, Op. 64, MS 112: Sonata No. 6 in A Major: II. Rondo by Niccolò Paganini, Moshe Hammer, Norbert Kraft having a テンポ of 101 with a half-time of 50 テンポ and a double-time of 202 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peteneras, Op. 35 (version for violin and orchestra) | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | D Minor | 1 | 7A | 104 BPM | ||
Concerto grosso in D, Op.6, No.1: 2. Largo | Arcangelo Corelli, Alan Loveday, Carmel Kaine, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 2 | 10A | 71 BPM | ||
Cello Concerto In D Minor - III. Introduction | Édouard Lalo, Dimanche FR | D Major | 2 | 10B | 91 BPM | ||
Paganini: Cantabile in D Major, Op. 17 | Niccolò Paganini, Alexander Markov, Eduardo Fernandez | D Major | 1 | 10B | 92 BPM | ||
Quintet No. 9 for Guitar and Strings in C Major, G. 453 - "La ritirata di Madrid": I. Allegro maestoso assai | Luigi Boccherini, Narciso Yepes, Melos Quartet | C Major | 1 | 8B | 65 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Sinfonia in E major, RV 132: III. Allegro | Karoly Botvay | E Major | 1 | 12B | 187 BPM | ||
24 Caprices For Violin, Op. 1, MS. 25: No. 14 in E-Flat Major | Niccolò Paganini, Inmo Yang | E♭ Major | 1 | 5B | 54 BPM | ||
Falla / Arr. Kreisler: La vida breve, Act 2: Spanish Danse No. 1 | Manuel de Falla, Tasmin Little, Piers Lane | D Minor | 2 | 7A | 112 BPM | ||
Zapateado Op. 23 | Pablo de Sarasate, Sarah Chang, Charles Abramovic | A Major | 3 | 11B | 113 BPM |