Johan Kvandal, Joachim Knoph's '8 Norwegian Folk Tunes, Op. 70: No. 2, Um morgon tidleg "Um morgon tidleg på høgste nut"' came out on November 11, 2016. With 8 Norwegian Folk Tunes, Op. 70: No. 2, Um morgon tidleg "Um morgon tidleg på høgste nut" being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johan Kvandal, Joachim Knoph's "Kvandal: Complete Works for Solo Piano" album is number 12 out of 33. 8 Norwegian Folk Tunes, Op. 70: No. 2, Um morgon tidleg "Um morgon tidleg på høgste nut" is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 8 Norwegian Folk Tunes, Op. 70: No. 2, Um morgon tidleg "Um morgon tidleg på høgste nut" by Johan Kvandal, Joachim Knoph to be Adagio (slowly with great expression) because the track has a tempo of 74 テンポ, a half-time of 37テンポ, and a double-time of 148 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Infinity | Rosey Chan | E♭ Major | 0 | 5B | 67 BPM | ||
Abendlied, Op. 85 No. 12 (Arr. Grosvenor) | Robert Schumann, Benjamin Grosvenor | D♭ Major | 0 | 3B | 68 BPM | ||
Franck: Prélude, Fugue et Variation, Op. 18, CFF 30B (transcr. H. Bauer) – IV. Variation: Andantino | César Franck, Mariam Batsashvili | D Major | 1 | 10B | 126 BPM | ||
Woman´s Prayer | George Gurdjieff, Anja Lechner, Vassilis Tsabropoulos | F Minor | 0 | 4A | 83 BPM | ||
Préludes / Book 1, L. 117: 8. La fille aux cheveux de lin | Claude Debussy, Jean-Rodolphe Kars | E♭ Minor | 0 | 2A | 73 BPM | ||
Flow | Anja Lechner, François Couturier | D♭ Minor | 0 | 12A | 118 BPM | ||
Piano Sonata No. 9: II. Lento | Anis Fuleihan, Tatiana Primak-Khoury | B Minor | 0 | 10A | 75 BPM | ||
Siete Canciones Populares Españolas: VI. Nana - for alto and piano | Manuel de Falla, Tabea Zimmermann, Javier Perianes | C Major | 0 | 8B | 141 BPM | ||
Kvandal: Legende op. 61b | Johan Kvandal, Per Hannisdal, Vebjørn Anvik | B♭ Major | 0 | 6B | 138 BPM | ||
Moments of Poetry and Music: No. 2, Melody, Post scriptum | Valentin Silvestrov, Inna Galatenko, Oleg Bezborodko, Lithuanian National Symphony Orchestra, Christopher Lyndon-Gee | B Major | 0 | 1B | 77 BPM |