"Abendlied, Op. 85 No. 12 (Arr. Grosvenor)" by Robert Schumann, Benjamin Grosvenor was released on March 17, 2023. The duration of Abendlied, Op. 85 No. 12 (Arr. Grosvenor) is about 3 minutes long, at 3:27. Based on our data, "Abendlied, Op. 85 No. 12 (Arr. Grosvenor)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 27 in the song's album "Schumann & Brahms". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United Kingdom. Abendlied, Op. 85 No. 12 (Arr. Grosvenor) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Abendlied, Op. 85 No. 12 (Arr. Grosvenor) by Robert Schumann, Benjamin Grosvenor having a テンポ of 68 with a half-time of 34 テンポ and a double-time of 136 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice: Ballet des Ombres Heureuses (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | F♯ Major | 0 | 2B | 70 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | ||
Over the Mountains High (arr. J. Lloyd Webber for cello and piano) | Frederick Delius, Julian Lloyd Webber, John Lenehan | C Major | 0 | 8B | 71 BPM | ||
Recueil de chants, Op. 65: No. 6, Barcarolle | Charles-Valentin Alkan, Bruce Liu | G Minor | 0 | 6A | 70 BPM | ||
Schwanenlied | Fanny Mendelssohn, Eva Oertle, Consuelo Giulianelli | G Minor | 1 | 6A | 143 BPM | ||
Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Emmanuelle Bertrand, Pascal Amoyel | B♭ Major | 0 | 6B | 89 BPM | ||
Polovtsian Dances from Prince Igor (piano arr. by L. Faulkner) | Alexander Borodin, Luke Faulkner | A Major | 1 | 11B | 72 BPM | ||
Pavane pour une infante défunte, M. 19 | Maurice Ravel, Anna Vinnitskaya | E Minor | 0 | 9A | 67 BPM | ||
Ravel: Cadence for the Video by Yoann Bourgeois (On Adagio from Ravel's Concerto in G, M. 83) | Maurice Ravel, Alexandre Tharaud | E Major | 1 | 12B | 70 BPM | ||
Ravel: Miroirs, M. 43: V. La Vallée des cloches | Maurice Ravel, Bertrand Chamayou | D♭ Major | 0 | 3B | 132 BPM |