William Henry Squire, Oliver Gledhill, Tadashi Imai's 'Tarantella in D Minor, Op. 23' came out on July 8, 2016. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "Squire: Miniatures for Cello & Piano". In this album, this song's track order is #10. The popularity of Tarantella in D Minor, Op. 23 is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tarantella in D Minor, Op. 23 by William Henry Squire, Oliver Gledhill, Tadashi Imai having a テンポ of 164 with a half-time of 82 テンポ and a double-time of 328 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
The music key of this track is D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mephisto Waltz No. 1, S. 514 | Franz Liszt, Evgeny Kissin | D♭ Minor | 2 | 12A | 70 BPM | ||
Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 155 BPM | ||
Golliwog's Cake-walk | Claude Debussy, Bruno Fontaine | D♭ Major | 1 | 3B | 150 BPM | ||
Sinfonia in D Major, "La Veneziana": I. Allegro assai | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 108 BPM | ||
Simple Symphony, Op. 4: IV. Frolicsome Finale | Benjamin Britten, English Chamber Orchestra | G Major | 4 | 9B | 78 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Menuet Gothique, Op. 25 | Léon Boëllmann, Oliver Gledhill, Jeremy Filsell | C Major | 1 | 8B | 171 BPM | ||
Violin Concerto in D Major, Op. 35, TH 59: II. Canzonetta. Andante | Pyotr Ilyich Tchaikovsky, Ilya Kaler, Russian Philharmonic Orchestra, Dmitry Yablonsky | D♭ Minor | 6 | 12A | 160 BPM | ||
Cello Sonata - Solo Piano Version | Martin Berteau, Tadashi Imai | G Major | 1 | 9B | 108 BPM | ||
On The Morning Of Christ's Nativity | Choir of St. John's College, Cambridge | D♭ Major | 0 | 3B | 78 BPM |