Léon Boëllmann, Oliver Gledhill, Jeremy Filsell made "Menuet Gothique, Op. 25" available on May 15, 1997. The duration of Menuet Gothique, Op. 25 is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Menuet Gothique, Op. 25's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 12 in Boëllmann: Cello and Piano Music by Léon Boëllmann, Oliver Gledhill, Jeremy Filsell. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. The popularity of Menuet Gothique, Op. 25 is currently unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Menuet Gothique, Op. 25 by Léon Boëllmann, Oliver Gledhill, Jeremy Filsell is Vivace (lively and fast), since this song has a tempo of 171 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite gothique, Op. 25: III. Prière à Notre-Dame | Léon Boëllmann, Colin Andrews | A Major | 3 | 11B | 137 BPM | ||
Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: O Fortuna | Carl Orff, André Previn, London Symphony Chorus, London Symphony Orchestra | G Major | 2 | 9B | 85 BPM | ||
Cinquième Symphonie. Toccata | Olivier Latry | F Major | 4 | 7B | 58 BPM | ||
Gloria in D, RV 589: II. Et in terra pax hominibus | Antonio Vivaldi, Choir of King's College, Cambridge, Stephen Cleobury, Academy of Ancient Music | B♭ Minor | 2 | 3A | 130 BPM | ||
12 Scenes or Caprices, Op. 109: No. 7. Le Caprice | Charles-Auguste de Bériot, Bella Hristova | A Minor | 1 | 8A | 102 BPM | ||
Symphony in G Minor, Op. 6, No. 6, W. C12: I. Allegro | Johann Christian Bach, Concerto Köln | F♯ Minor | 1 | 11A | 87 BPM | ||
Piano Quartet in F Minor, Op. 10: III. Andante | Léon Boëllmann, Bela Banfalvi, Karoly Botvay, János Fehérvári, Ilona Prunyi | F Major | 1 | 7B | 89 BPM | ||
Organ Symphony No. 5 in F minor, Op. 42, No. 1: Organ Symphony No. 5: Toccata | Bertalan Hock, Charles-Marie Widor | F Major | 2 | 7B | 106 BPM | ||
Danse Sacrée et Danse Profane, L. 103: I. Danse Sacrée | Claude Debussy, Ernitine Stoop, Nieuw Sinfonietta Amsterdam | D Minor | 0 | 7A | 99 BPM | ||
The Snowstorm: III. Spring and autumn | Georgy Sviridov, Vladimir Fedoseyev, State Academic Large Symphony Orchestra, State academic large symphony orchestra | E Minor | 1 | 9A | 61 BPM |