Wolfgang Amadeus Mozart, Alina Ibragimova, Cédric Tiberghien's '6 Variations for Violin and Piano on "Hélas, j'ai perdu mon amant", K. 360: I. Theme. Andantino' came out on September 1, 2017. With 6 Variations for Violin and Piano on "Hélas, j'ai perdu mon amant", K. 360: I. Theme. Andantino being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Wolfgang Amadeus Mozart, Alina Ibragimova, Cédric Tiberghien's "Mozart: Violin Sonatas Nos. 20, 25, 26, 30 (K. 303, 377, 378 & 403) etc." album is number 7 out of 29. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, 6 Variations for Violin and Piano on "Hélas, j'ai perdu mon amant", K. 360: I. Theme. Andantino's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 6 Variations for Violin and Piano on "Hélas, j'ai perdu mon amant", K. 360: I. Theme. Andantino by Wolfgang Amadeus Mozart, Alina Ibragimova, Cédric Tiberghien to be Allegro (fast, quick, and bright) because the track has a tempo of 142 テンポ, a half-time of 71テンポ, and a double-time of 284 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 5/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder ohne Worte III, Op. 38: V. Agitato appassionato, MWV U137 | Felix Mendelssohn, Howard Shelley | A♭ Major | 0 | 4B | 66 BPM | ||
Heart and Soul - Instrumental | The Heart of David | E Minor | 0 | 9A | 94 BPM | ||
Five Negro Melodies for Piano Trio: II. I was way down a-yonder | Samuel Coleridge-Taylor, Neave Trio | B♭ Major | 1 | 6B | 68 BPM | ||
Abbey Road concerto for Violin and Orchestra: X. Because | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Major | 1 | 11B | 136 BPM | ||
Winterreise, Op. 89, D. 911 (Arr. for Horn, Cello & Piano by Timothy Jones): No. 13, Die Post | Franz Schubert, Josephine Knight, Simon Crawford-Phillips, Timothy Jones | E Major | 0 | 12B | 115 BPM | ||
Serenade for Clarinet Quartet in B Major, Op. 4: I. Moderato | Ernst Krenek, Kilian Herold, Florian Donderer, Barbara Buntrock, Tanja Tetzlaff | C Major | 0 | 8B | 60 BPM | ||
Concerto For Cello No. 2 In D Major, Hob. VIIb:2: III. Rondo. Allegro | Joseph Haydn, Cameron Crozman, Nicolas Ellis, Les Violons du Roy | A Major | 1 | 11B | 97 BPM | ||
Guitar Quartet No. 11 in B Major, MS 38: II. Minuetto. Allegretto | Niccolò Paganini, Paganini Ensemble Vienna | C Major | 3 | 8B | 144 BPM | ||
Trauer und Trost, Op. 3: No. 3, Ein Ton | Peter Cornelius, Ties Mellema, Hans Eijsackers | E Minor | 0 | 9A | 84 BPM | ||
Variationen Über Ein Thema Aus Silvana, Op. 33: Thema | Carl Maria von Weber, Martin Klett, Sebastian Manz | F Major | 0 | 7B | 71 BPM |