Carl Philipp Emanuel Bach, Geraint Jones, Helen Watts, Geraint Jones Orchestra made "Bach, CPE: Magnificat in D Minor, Wq. 215: VII. Suscepit Israel" available on April 10, 2024. With this song being about 5 minutes long, at 4:48, "Bach, CPE: Magnificat in D Minor, Wq. 215: VII. Suscepit Israel" by Carl Philipp Emanuel Bach, Geraint Jones, Helen Watts, Geraint Jones Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 9 in CPE Bach: Magnificat, Wq. 215 by Carl Philipp Emanuel Bach, Geraint Jones, Geraint Jones Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Bach, CPE: Magnificat in D Minor, Wq. 215: VII. Suscepit Israel's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Bach, CPE: Magnificat in D Minor, Wq. 215: VII. Suscepit Israel by Carl Philipp Emanuel Bach, Geraint Jones, Helen Watts, Geraint Jones Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 121 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Buxtehude: Membra Jesu nostri, BuxWV 75: III. Ad manus. "Quid sunt plagae istae" | Dietrich Buxtehude, Ton Koopman, Barbara Schlick, Monika Frimmer, Michael Chance, Christoph Prégardien, Peter Kooij, Knabenchor Hannover, Amsterdam Baroque Orchestra | D Major | 1 | 10B | 130 BPM | ||
Charpentier: Te Deum, H. 146: XI. Fiat misericordia | Marc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Ann Murray, Dawn Upshaw, Kurt Moll | A Minor | 2 | 8A | 73 BPM | ||
Harpsichord Concerto in G Major, H. 412 (Arr. Mayer & Spindler for Oboe, Strings and Basso continuo): II. Adagio (Cadenza: Mayer) | Albrecht Mayer, Carl Philipp Emanuel Bach, Berliner Barock Solisten | D Major | 0 | 10B | 96 BPM | ||
Missa Paschalis, ZWV 7: Gloria. Gloria in excelsis Deo | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | D♭ Minor | 1 | 12A | 87 BPM | ||
L'Olimpiade, Act I Scene 3: Aria. "O care selve" | Domenico Cimarosa, Marie Lys, Christophe Rousset, Les Talens Lyriques | C Major | 3 | 8B | 139 BPM | ||
Stabat Mater a quatro in C Minor: IX. Virgo virginum præclara | Giovanni Bononcini, Rinaldo Alessandrini, Concerto Italiano, Sara Mingardo | E♭ Major | 2 | 5B | 135 BPM | ||
Mondonville: In exitu Israel: I. (b) Chœur. "In exitu Israel" | Jean-Joseph Cassanéa De Mondonville, Emmanuelle Haïm | F Major | 2 | 7B | 119 BPM | ||
Dido and Aeneas, Z. 626: Act II Scene 1: Prelude for the Witches | Henry Purcell, Kirsten Flagstad, Elisabeth Schwarzkopf, Eilidh McNab, Arda Mandikian, Sheila Rex, Anna Pollak, Thomas Hemsley, David Lloyd, Mermaid Singers, Mermaid Orchestra, Geraint Jones | B♭ Major | 1 | 6B | 93 BPM | ||
Götterdämmerung, WWV 86D / Prologue: Welch Licht leuchtet dort? | Richard Wagner, Helen Watts, Anita Valkki, Grace Hoffman, Wiener Philharmoniker, Sir Georg Solti | B Major | 1 | 1B | 76 BPM | ||
Armenian Songs: Mankakan aghotq - Hayr Mer - Children's Prayer - Our Father | Komitas, Hasmik Papian, Vardan Mamikonian | D Major | 0 | 10B | 76 BPM |