Marc-Antoine Charpentier, Les Arts Florissants, William Christie, Kaori Uemura, Anne Marie Lasla's 'Litanies de la Vierge, H. 83: VII. Rosa mystica' came out on April 27, 1989. With Litanies de la Vierge, H. 83: VII. Rosa mystica being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 27 out of 30 in Charpentier: Te Deum, H.146, Litanies de la Vierge & Missa "Assumpta est Maria" by Marc-Antoine Charpentier, Les Arts Florissants, William Christie. The popularity of Litanies de la Vierge, H. 83: VII. Rosa mystica is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Litanies de la Vierge, H. 83: VII. Rosa mystica by Marc-Antoine Charpentier, Les Arts Florissants, William Christie, Kaori Uemura, Anne Marie Lasla is Presto (very, very fast), since this song has a tempo of 181 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa "Assumpta Est Maria", H. 11: Missa "Assumpta Est Maria", H. 11: VI. Credo | Marc-Antoine Charpentier, Véronique Gens, Les Arts Florissants, William Christie, Gilles Ragon, Noemi Rime, Bernard Deletré, Jean-Paul Fouchécourt | A♭ Major | 1 | 4B | 82 BPM | ||
Membra Jesu nostri, BuxWV 75: IIId. Ad manus: In cruore tuo lotum | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM | ||
Secunda die Lectio prima: VI. Hierusalem convertere ad dominum tuum | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Major | 2 | 2B | 91 BPM | ||
Madrigals, Book 5: Asciugate i begli occhi | Carlo Gesualdo, Les Arts Florissants, Paul Agnew | E Minor | 1 | 9A | 109 BPM | ||
Ohimè Ch'Io Cado (Libro Nono) | Jordi Savall, Claudio Monteverdi, Montserrat Figueras | F Major | 2 | 7B | 76 BPM | ||
Christ lag in Todes Banden, BWV 4: II. Coro "Christ lag in Todes Banden" | Johann Sebastian Bach, Paul Agnew, Les Arts Florissants | E♭ Minor | 4 | 2A | 112 BPM | ||
Missa Tempore Quadragesimae, MH 553: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | G Major | 1 | 9B | 73 BPM | ||
Un flambeau, Jeanette-Isabelle, H. 460c: Noel: Un flambeau, Janette, Isabelle!, H. 460c | Marc-Antoine Charpentier, Tracy Smith Bessette, Christine Stelmacovich, David Nortman, Curtis Streetman, Christopher Dawes, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 84 BPM | ||
Sancta Maria, succurre miseris, SV 328 | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion, Céline Scheen, Perrine Devillers, Lucile Richardot | C Major | 1 | 8B | 92 BPM | ||
Purcell : King Arthur : Act 4 "Two daughters of this aged stream are we" [Sopranos] | William Christie | F Minor | 1 | 4A | 70 BPM |