"Slavonic Dances, B.83: (Op.46 - Nos. 1-8); B.147 (Op.72 - Nos. 1-8): No. 2 in E Minor: Dumka (Allegretto scherzando - Allegro vivo), Op.46" by Berliner Philharmoniker, Lorin Maazel was released on November 12, 2007. Slavonic Dances, B.83: (Op.46 - Nos. 1-8); B.147 (Op.72 - Nos. 1-8): No. 2 in E Minor: Dumka (Allegretto scherzando - Allegro vivo), Op.46 is about six minutes long, preciously at 5:32, making this song fairly long compared to other songs. There are a total of 54 in the song's album "The Berlin Philharmonic on EMI". In this album, this song's track order is #25. Based on our statistics, Slavonic Dances, B.83: (Op.46 - Nos. 1-8); B.147 (Op.72 - Nos. 1-8): No. 2 in E Minor: Dumka (Allegretto scherzando - Allegro vivo), Op.46's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Slavonic Dances, B.83: (Op.46 - Nos. 1-8); B.147 (Op.72 - Nos. 1-8): No. 2 in E Minor: Dumka (Allegretto scherzando - Allegro vivo), Op.46 by Berliner Philharmoniker, Lorin Maazel having a テンポ of 143 with a half-time of 72 テンポ and a double-time of 286 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 176 BPM | ||
Symphony No. 1: III. Feierlich und gemessen, ohne zu schleppen | Gustav Mahler, Berliner Philharmoniker, Daniel Harding | G Minor | 0 | 6A | 107 BPM | ||
Strauss II, J: Die Tauben von San Marco, Op. 414 | Johann Strauss II, Nikolaus Harnoncourt, Berliner Philharmoniker | D Major | 1 | 10B | 177 BPM | ||
Flute and Harp Concerto in C, K.299: II. Andantino | Fritz Helmis, Herbert von Karajan, Berliner Philharmoniker, James Galway | C Major | 1 | 8B | 117 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppo | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 141 BPM | ||
Mussorgsky: Pictures at an Exhibition: No. 15, The Knight's Gate in the Old Capital of Kiev | Modest Mussorgsky, Sir Simon Rattle, Berliner Philharmoniker | E♭ Major | 2 | 5B | 85 BPM | ||
Peer Gynt Suite No.2, Op.55: 3. Peer Gynt's Return | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 69 BPM | ||
Prélude à l'après-midi d'un faune, L. 86 | Claude Debussy, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von Karajan | A♭ Minor | 0 | 1A | 84 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : II. Allegro | Arcangelo Corelli, Daniela Ruso, Quido Holbling, Anna Holbling, Ludovit Kanta, Capella Istropolitana | A Major | 3 | 11B | 131 BPM |