André Mehmari, Anderson César Alves made "Suíte Brasileira: Valsa de Esquina" available on June 13, 2024. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 4 in the song's album "Suíte Brasileira". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Brazil. The popularity of Suíte Brasileira: Valsa de Esquina is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Suíte Brasileira: Valsa de Esquina by André Mehmari, Anderson César Alves having a テンポ of 160 with a half-time of 80 テンポ and a double-time of 320 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with running. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chão Batido | Catarina Rossi, André Mehmari | A Minor | 2 | 8A | 72 BPM | ||
8 Valses poéticos, H. 136 (Arr. for Cello & Guitar by Anonymous): No. 1, Melodico | Enrique Granados, André Fischer, Sébastien Singer | A Major | 1 | 11B | 108 BPM | ||
La sirenita: 2. En la superficie | Juan Pablo Fernández Ramos | F Major | 1 | 7B | 70 BPM | ||
String Quartet No. 1 in G Major, Op. 58: II. Strimpellata. Mosso e spensierato | Mario Castelnuovo-Tedesco, Quartetto Adorno | A Major | 2 | 11B | 160 BPM | ||
6 Pieces, Op. 79: No. 6, Berceuse | Jean Sibelius, Cecilia Ziano, Alessandro Stella | D♭ Minor | 0 | 12A | 92 BPM | ||
Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: II. The Young Juliet | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | C Major | 2 | 8B | 72 BPM | ||
São Paulo Futuro | Marcello Tupynambá, André Mehmari | B Minor | 2 | 10A | 128 BPM | ||
Oration, Concerto elegiaco, H. 180: I. Poco lento – Lento e ritmico | Frank Bridge, Laura van der Heijden, BBC Scottish Symphony Orchestra, Ryan Wigglesworth | C Major | 0 | 8B | 81 BPM | ||
6 Romances, Op. 38: No. 3, Daisies (Arr. for Piano Trio by Alexander Panfilov) | Sergei Rachmaninoff, Christoph Croisé, Andrey Baranov, Alexander Panfilov | B♭ Major | 0 | 6B | 62 BPM | ||
Femina Feminae V. Paseo a Orillas del Mar | Gerard Pastor, Marta Urzaiz | B Minor | 3 | 10A | 103 BPM |