"6 Romances, Op. 38: No. 3, Daisies (Arr. for Piano Trio by Alexander Panfilov)" by Sergei Rachmaninoff, Christoph Croisé, Andrey Baranov, Alexander Panfilov had its release date on June 21, 2024. The duration of This song is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. 6 Romances, Op. 38: No. 3, Daisies (Arr. for Piano Trio by Alexander Panfilov)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 9 in the song's album "Rachmaninoff: Piano Trios Nos. 1 & 2 & Romances Opp. 21 & 23". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. 6 Romances, Op. 38: No. 3, Daisies (Arr. for Piano Trio by Alexander Panfilov) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 6 Romances, Op. 38: No. 3, Daisies (Arr. for Piano Trio by Alexander Panfilov) by Sergei Rachmaninoff, Christoph Croisé, Andrey Baranov, Alexander Panfilov having a テンポ of 62 with a half-time of 31 テンポ and a double-time of 124 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite No. 1, "Orientale": I. Okenstamning: Adagio | Kurt Atterberg, Ferenc Balogh, Gyorgy Kertesz, Andras Kiss, Ilona Prunyi | B Minor | 1 | 10A | 61 BPM | ||
Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: I. The Montagues and Capulets | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | C Major | 1 | 8B | 101 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): IV. Fileuse - Allegretto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Major | 0 | 9B | 90 BPM | ||
Rondo capriccioso, Op. 14: II. Presto leggiero (Arr. Yampolsky for Violin and Piano) | Felix Mendelssohn, Christian Li, Laurence Matheson | B♭ Minor | 1 | 3A | 64 BPM | ||
Jocelyn (Berceuse) | Benjamin Godard, Louise-Andrée Baril, Thérèse Motard | F Major | 0 | 7B | 125 BPM | ||
Bartók: Romanian Folk Dances, Sz. 56: No. 4, Horn Dance (Transcr. Strauss & Rizikov for Cello and Piano) | Béla Bartók, Lisa Strauss, Anastasia Rizikov | F Major | 0 | 7B | 97 BPM | ||
Masques et Bergamasques, Op. 112: III. Gavotte | Gabriel Fauré, Orchestre de Chambre de Lausanne, Renaud Capuçon | D Major | 0 | 10B | 95 BPM | ||
Albumblätter, Op. 39: No. 2, Andante Sostenuto | Hans Sitt, Gabriel Marin, Ana Flávia Frazão | B♭ Minor | 1 | 3A | 119 BPM | ||
Violin Concerto: III. | Frederick Delius, Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | C Major | 2 | 8B | 85 BPM | ||
Piano Concerto No. 1 "Scapegoat": Scherzando | George Lloyd, Martin Roscoe, BBC Philharmonic | F♯ Major | 2 | 2B | 95 BPM |