Marin Marais, Jordi Savall, Hopkinson Smith, Anne Gallet made "Pièces de viole du Second Livre, suite en si mineur: Gigue, II. 90 (1701)" available on September 27, 2011. The duration of Pièces de viole du Second Livre, suite en si mineur: Gigue, II. 90 (1701) is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Pièces de viole du Second Livre, suite en si mineur: Gigue, II. 90 (1701)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Marin Marais, Jordi Savall, Hopkinson Smith, Ton Koopman's "Marin Marais: Pièces de viole des Cinq Livres" album is number 25 out of 83. Pièces de viole du Second Livre, suite en si mineur: Gigue, II. 90 (1701) is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Pièces de viole du Second Livre, suite en si mineur: Gigue, II. 90 (1701) by Marin Marais, Jordi Savall, Hopkinson Smith, Anne Gallet to be Adagio (slowly with great expression) because the track has a tempo of 73 テンポ, a half-time of 36テンポ, and a double-time of 146 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Abdelazer, Z, 570: Rondeau | Henry Purcell, Oslo Circles | D♭ Minor | 0 | 12A | 110 BPM | ||
Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM | ||
Suite from Taffel-Consort: Volta | Thomas Simpson, Boreas Quartett Bremen | A♭ Major | 1 | 4B | 75 BPM | ||
Marais: Pièces de viole, Livre II, Suite No. 3 en ré majeur: Les voix humaines | Marin Marais, Jean Rondeau | B Major | 0 | 1B | 83 BPM | ||
Concerto Armonico No. 1 in G Major: Grave | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 63 BPM | ||
Concert XLI: Le Retour | Monsieur de Sainte-Colombe, Philippe Pierlot, Lucile Boulanger | C Major | 1 | 8B | 70 BPM | ||
Sonata No. 7 in E Minor "La magnifique": IV. Sarabande | Louis-Nicolas Clérambault, Barthold Kuijken, Arnie Tanimoto, Donald Livingston | D Minor | 1 | 7A | 103 BPM | ||
Fantasia in C Minor: Fantasy in C Minor | Silvius Leopold Weiss, Jakob Lindberg | B♭ Minor | 0 | 3A | 182 BPM | ||
She's Sweetest When She's Naked (Solo Version) | James Oswald, Ophélie Gaillard | F♯ Major | 1 | 2B | 80 BPM | ||
Balletto Quarto: Adaggio | Maurizio Cazzati, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | F♯ Minor | 1 | 11A | 130 BPM |