"7 Canciones Populares Españolas: Nana" by Teresa Berganza, Juan Antonio Alvares Parejo was released on January 1, 1987. With 7 Canciones Populares Españolas: Nana being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Teresa Berganza's "Manuel De Falla: El Corregidor Y La Molinera - 7 Canciones Populares Españolas" album is number 7 out of 9. On top of that, Switzerland appears to be the country where this track was created. 7 Canciones Populares Españolas: Nana is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 7 Canciones Populares Españolas: Nana by Teresa Berganza, Juan Antonio Alvares Parejo to be Lento (slowly) because the track has a tempo of 53 テンポ, a half-time of 26テンポ, and a double-time of 106 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Come raggio di sol | Antonio Caldara, Dame Janet Baker, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 84 BPM | ||
Stabat Mater: 7. Eia Mater | Giovanni Battista Pergolesi, Teresa Berganza, Solisti dell'orchestra "Scarlatti" Napoli, Ettore Gracis | D Minor | 0 | 7A | 112 BPM | ||
Trece canciones espanolas antiguas: Nana de Sevilla | Federico García Lorca, Narciso Yepes, Teresa Berganza | B Minor | 0 | 10A | 111 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | C Major | 2 | 8B | 90 BPM | ||
Wagner: Tristan und Isolde, Act III: Liebestod. "Mild und leise wie er lächelt" (Isolde) | Richard Wagner, Jessye Norman, Klaus Tennstedt, London Philharmonic Orchestra | B Major | 2 | 1B | 82 BPM | ||
Four Songs, Op.2: 2. The Nightingale and the Rose | Nikolai Rimsky-Korsakov, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | B Minor | 0 | 10A | 87 BPM | ||
Massenet: Don Quichotte, Act 4: "Enfin, te revoilà !" (Rodriguez, Juan, Dulcinée, Sancho) | Jules Massenet, Teresa Berganza, Alain Fondary, Christian Papis, Nicolas Rivenq, Michel Plasson, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM | ||
I Puritani / Act 2: Qui la voce sua soave - Live At Metropolitan Opera House, New York / 2011 | Vincenzo Bellini, Anna Netrebko, Metropolitan Opera Orchestra, Patrick Summers | E♭ Major | 0 | 5B | 79 BPM | ||
La Cenerentola / Act 2: "Una volta c'era un re" | Gioachino Rossini, Teresa Berganza, London Symphony Orchestra, Claudio Abbado | G Major | 2 | 9B | 128 BPM | ||
Gypsy Melodies, Op. 55: 4. Songs My Mother Taught Me (Orchestral Version) | Antonín Dvořák, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | C Major | 2 | 8B | 189 BPM |