"Poème de l'amour et de la mer, Op. 19: Interlude" by Ernest Chausson, Véronique Gens, Orchestre National de Lille, Alexandre Bloch was released on March 1, 2019. The duration of Poème de l'amour et de la mer, Op. 19: Interlude is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Poème de l'amour et de la mer, Op. 19: Interlude's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 6 in Chausson: Poème de l'amour et de la mer & Symphonie, Op. 20 by Ernest Chausson, Véronique Gens, Orchestre National de Lille, Alexandre Bloch. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Poème de l'amour et de la mer, Op. 19: Interlude is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Poème de l'amour et de la mer, Op. 19: Interlude by Ernest Chausson, Véronique Gens, Orchestre National de Lille, Alexandre Bloch is Andante (at a walking pace), since this song has a tempo of 108 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 5/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Etudes latines: Pholoé | Reynaldo Hahn, Véronique Gens, Susan Manoff | A Minor | 1 | 8A | 106 BPM | ||
An die Musik, D. 547 (Op. 88/4) | Franz Schubert, Mischa Maisky, Daria Hovora | C Major | 0 | 8B | 126 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Symphony No. 1 in D Major "Titan": III. Feierlich und gemessen, ohne zu schleppen | Gustav Mahler, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 72 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Suite For Cello And Orchestra, Op. 16b, R. 211: 4. Romance. Molto adagio | Camille Saint-Saëns, Camille Thomas, Orchestre National de Lille, Alexandre Bloch | E Major | 0 | 12B | 94 BPM | ||
Two Serenades, Op.69: 2. Lento assai, Op.69 No.2 - In G Minor | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | C Minor | 0 | 5A | 104 BPM | ||
Symphony No.1 In C Minor, Op.68: 2. Andante sostenuto | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 85 BPM | ||
Symphony No. 5 in D Major, Op. 107, MWV N15, "Reformation": III. Andante | Felix Mendelssohn, RTÉ National Symphony Orchestra, Reinhard Seifried | G Minor | 0 | 6A | 96 BPM | ||
Poème de l'amour et de la mer, Op. 19: Interlude | Ernest Chausson, Véronique Gens, Orchestre National de Lille, Alexandre Bloch | A♭ Major | 0 | 4B | 108 BPM |