Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit made "Carmen Suite No. 2: Habanera" available on January 1, 1988. The duration of Carmen Suite No. 2: Habanera is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Carmen Suite No. 2: Habanera's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 19 in Bizet: Carmen Suites 1 & 2; L'Arlésienne Suites 1 & 2 by Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Carmen Suite No. 2: Habanera's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Carmen Suite No. 2: Habanera by Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit is Allegro (fast, quick, and bright), since this song has a tempo of 127 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dance of the Hours | Amilcare Ponchielli, Leonard Bernstein, New York Philharmonic | E Major | 1 | 12B | 92 BPM | ||
Swan Lake, Op.20, TH.12 / Act 4: No.27 Danses des petits cygnes (Moderato) | Pyotr Ilyich Tchaikovsky, Orchestre Symphonique de Montréal, Charles Dutoit | B♭ Minor | 0 | 3A | 81 BPM | ||
Rachmaninov: Piano Concerto No. 3 in D Minor, Op. 30: I. Allegro ma non tanto (Excerpt) | Sergei Rachmaninoff, Mariss Jansons, St. Petersburg Philharmonic Orchestra | D Minor | 2 | 7A | 110 BPM | ||
Suite bergamasque: III. Clair de lune (arr. A. Reed): Clair de lune | Claude Debussy, Alfred Reed, Slovak Radio Symphony Orchestra, Keith Clark | D♭ Major | 1 | 3B | 81 BPM | ||
Slavonic Dances, Op. 72, B. 147: No. 2, Dumka | Antonín Dvořák, George Szell, Cleveland Orchestra | C Major | 2 | 8B | 101 BPM | ||
Piano Concerto No. 1 In B Flat Minor, Op. 23, TH.55: 1a. Allegro non troppo e molto maestoso - | Pyotr Ilyich Tchaikovsky, Martha Argerich, Bavarian Radio Symphony Orchestra, Kirill Kondrashin | E Minor | 1 | 9A | 73 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: IV. Finale: Allegro guerriero | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 97 BPM | ||
Concierto de Aranjuez for Guitar and Orchestra: 2. Adagio | Joaquín Rodrigo, Carlos Bonell, Orchestre Symphonique de Montréal, Charles Dutoit | B Minor | 0 | 10A | 77 BPM | ||
Carmen Suite No.2: 5. Danse bohème | Georges Bizet, Orchestre de Paris, Semyon Bychkov | E Major | 1 | 12B | 142 BPM | ||
Carmen Suite No. 1: I. Aragonaise | Georges Bizet, Slovak Philharmonic, Anthony Bramall | D Minor | 1 | 7A | 112 BPM |