"6 Hungarian Dances: No. 4. Con Verbunk" by Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay was released on January 1, 1994. The duration of 6 Hungarian Dances: No. 4. Con Verbunk is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. 6 Hungarian Dances: No. 4. Con Verbunk's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 34 in the song's album "Orchestral Music (Hungarian) - Kauer, F. / Csermak, A. / Rozsavolgyi, M. / Weiner, L. (Hungarian Dances)". In this album, this song's track order is #16. Based on our statistics, 6 Hungarian Dances: No. 4. Con Verbunk's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 6 Hungarian Dances: No. 4. Con Verbunk by Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay having a テンポ of 123 with a half-time of 62 テンポ and a double-time of 246 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Spängler-Menuett V | Leopold Mozart, Bankhaus Spängler | D Major | 1 | 10B | 65 BPM | ||
Flute Quartet No. 1 in G Major: III. Rondò, allegro | Saverio Mercadante, Mario Carbotta, Mario Hossen, Marta Potulska, Attilia Kiyoko Cernitori | G Major | 1 | 9B | 146 BPM | ||
Symphony No. 50 in C Major, Hob. I:50: IV. Finale. Presto | Joseph Haydn, Kammerorchester Basel, Giovanni Antonini | G Major | 3 | 9B | 78 BPM | ||
Sinfonia concertante in B-Flat Major, W. C48: III. Rondo: Allegretto | Johann Christian Bach, Lajos Lencsés, Bela Banfalvi, Karoly Botvay, Budapest Strings | C Major | 1 | 8B | 184 BPM | ||
French Suite No. 6 in E Major, BWV 817: VI. Menuet (arr. for orchestra) | Johann Sebastian Bach, L. Schmutzler, Moscow Chamber Orchestra, Constantine Orbelian | F Major | 1 | 7B | 132 BPM | ||
Keyboard Sonata in F Major, Op. 1 No. 4: III. Rondeau | Muzio Clementi, HyeJin Kim | F Major | 1 | 7B | 112 BPM | ||
Galliard | William Brade, The Royal Wind Music, Paul Leenhouts | D♭ Major | 0 | 3B | 63 BPM | ||
String Quintet in C Major, Op. 30, No. 6, G. 324, "La musica notturna delle strade di Madrid": V. Ritirata con variazioni | Luigi Boccherini, Mayumi Seiler, Silvia Walch, Diemut Poppen, Richard Lester, Howard Penny | A Major | 3 | 11B | 118 BPM | ||
Der Fischer und das Milchmädchen: X. Allemande | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
4 Romantic Pieces, Op. 75: No. 2, Allegro maestoso | Antonín Dvořák, Anthony Marwood, Susan Tomes | F Major | 1 | 7B | 141 BPM |